When I saw this Image it shook me as an African to the core of my bones not because of any shock value effect but because I was once again hit with the reality of Africa in…
]]>When I saw this Image it shook me as an African to the core of my bones not because of any shock value effect but because I was once again hit with the reality of Africa in my Africaness of what was, is and will be the future narrative of Africa and Africans if we continue the cycle of recycling these types of images in reality or fictional narrative.
I wasn’t sure if this was an official image since it’s a social media campaign and they can say they didn’t realize it can have any negative connotations outside of the reality of describing exactly what you see in the image in a sort of United Colors of Betton kumbaya moment… you know the post racial…Tanning Epidemic…who lives it knows it not error that looks like a repeat of errors gone by, or was someone trying to stir up the pot in delegitimizing the efforts of Kony 2012 by inferring some type of white supremacy thru spreading an image and knowing the reality of its open connotations will taint the organization or just make its foundation known.
I started seeing the Kony 2012 postings for this campaign going viral just as fast as I started seeing the postings against it. At first I ignored it as another internet viral “put the poor helpless Africans killing each other on global blast again for a good cause…” you know- another let’s utilize our foreign goodness, beauty, privilege and celebrity to paint the beautiful picture of death knowing that your soul can never live the reality type of marketing levels that we have become accustomed to, like when a bunch of celebrities dying on social media with a global moment of silence in not hearing their everyday genius words that make us care so much about them that we can’t go a day, let alone days without hearing their words, seeing their pictures and knowing their every move as we walk vicariously with them thru their lives believing that it is partly a reflection of our own lives in the making – so we donate money to show how much we love and adore them and feel good about ourselves at the same time type of life’s addictions in New Crack City. We’ve become crackheads telling ourselves that buying the crack even though it’s bad for our health that at least we’re helping the dealers take care of the children so that has to count for something in the bigger picture of giving back…Right?
One can’t help but to hate Kony and to see this marketing genius in academy award winning moment in the height of social media branding and technology. As everyone posted on Kony 2012 whether for or skeptically against it for the foundation of its charity- just as many of those same people were in a flux on social media talking about the new iPad. I mean damn with Apple having what someone wrote as having its Nike moment in finally admitting their human rights violations of their workers in China, social media was a buzz from Africa to USA, to Europe and Asia talking about the newest iPad and how disappointed they were in its upgrade, but they’ll buy it anyway…how much do we really care about hunamity when at the end of the day we don’t really have to live the reality. How can you post on Kony being the worst ever and sending your money to serve the cause of bringing him to justice, while throwing even more money at Apple- a company that has just admitted human rights violations against those very workers who are making the products that you can not live without even while complaining that there’s minimal change to the one you just threw just as much money at a few months ago, while these same workers were being abused to get these products out to you to the point of many suicides with a solution of putting a net over the bottom of the building to catch their fall instead of actually giving them freedom to have a living wage to allow them to live? Whether be it in Africa, America, Haiti or China the exploitation of the soul of poverty is the same. “I don’t know that the person who introduced cholera in Haiti, the U.N. peacekeeper, or soldier from South Asia, was aware that he was carrying the virus,” Clinton told reporters at a hospital. “It was the proximate cause of cholera. That is, he was carrying the cholera strain. It came from his waste stream into the waterways of Haiti, into the bodies of Haitians.”…But Clinton added that what “really caused” the cholera outbreak was the country’s lack of proper sanitation“….Read More
From China to the Congo, We, myself include are all part of this dangerous cycle of exploitation capitalism thru poverty. The story from the heads of these corporations whom we aid in their exploitation capitalism often say that they are not any worse than anyone else, or at least they are there trying, or like I heard a Red Cross representative being challenged about the millions to billions collected in aid to Haiti and the lack of progress say in a PBS documentary “who do you think supplied those tarps that they use for shelter and that they have to start from somewhere” . All I could think was wow really with millions to billions in aid the first place to start is giving away tarps for outdoor makeshift shelters? How about creating some construction jobs and having people get a decent living wage while building affordable homes for themselves and their fellow Haitians- but I am just a dreamer who doesn’t seem to understand how money works because I have never had millions to billions to work with.
None of us want to deal with the bigger issues because it means having to take full stock and self evaluation to really stand in giving up some of our own freedoms to allow freedom for many more throughout the world. It takes human beings to kill other human beings, so it will only take human beings to find their humanity to no longer live for the kill, unless the kill is the foundation of the cycle of humanity that we wish to continue. No matter how we try to define and redefine it, death is death and it is final the world over. When a bomb is dropped in Africa, Asia, Europe, Middle East or anywhere in the world it produces the same destruction without accountability to casualties- innocent or not- in serving its purpose to deliver on its target. In our need to help others by imposing our self righteous will, we often end up creating nothing but continual chaos. Let’s employ people in giving them a hand up toward independence and self sufficiency which is the dream and basic human right of us all, but too often not the main purpose of many NGO’s particularly in exploited nations with exploited people who do not realize their on voices in determining their own future. Today technology has paved the way to allow unprecedented global access in the fight against poverty and to find the much needed yet eluded balance in equality. Fair Trade in the era of technology should mean that just as a Kenyans and other African nations have set up technology that is far more advanced than the western world, allowing them to use their mobile phones to buy products on the streets of Nairobi, then if fair trade were truly fair and free – they can sell their locally home grown and made products to major retailers all over the world without an NGO or well meaning middle person from abroad having to get their cut in making their journey out of poverty to self sufficiency that much harder and longer to be able to keep all parties in business.
“My frustration with the group has largely reflected the concerns expressed so eloquently by those individuals who have been willing to bring the fury of Invisible Children’s true believers down upon themselves in order to point out what is wrong with this group’s approach: the warmongering, the self-indulgence, the commercialization, the reductive and one-sided story they tell, their portrayal of Africans as helpless children in need of rescue by white Americans, and the fact that civilians in Uganda and central Africa may have to pay a steep price in their own lives so that a lot of young Americans can feel good about themselves, and a few can make good money. This, of course, is sickening, and I think that Kony 2012 is a case of Invisible Children having finally gone too far. They are now facing a backlash from people of conscience who refuse to abandon their capacity to think for themselves…” READ MORE
If at the end of the day from celebrity endorsements in limitless publicity and global branding and the usual made for Hollywood movie narrative with White people saving global Africans is all a part of the business of saving lives, then we need to altruistically teach those who are part of the business the business, but once again unfortunately that is not how the cycle works because there always has to be someone at the bottom to set the foundation for the workings of the top. We ned to ask ourselves the real questions like can and does Democracy as it is sold from the West work all over the world or are Africans and others who try to adapt to foreign ways of life instead of building on their own way of life just merely running out of luck to be eventually left with none of the perks and dreams that freedom and democracy was to bring.We need to take the messages of the problems of the world that these charities, individuals and institutions educate us about and really ask ourselves how committed we are to solving these problems for the long term instead of just having our philanthropic pat ourselves on the back moments for doing something or being involved in a cause for good- as far as we know it, just for it to be forgotten until the next viral video hits the internets and our big and small screens.
“Any leadership that teaches you to depend on another race, is a leadership that will enslave you” Marcus Garvey
“The greatest good you can do for another is not just share your riches, but reveal to them their own..” Benjamin Disraeli
As human beings we all have a responsibility to other human beings and that responsibility should involve sharing with them the tools of self sufficiency because there has never been any freedom in dependency and having to beg someone else for your daily bread. As Digital Underground rightfully said “all around the world same song” because as Dr. King said ”Injustice anywhere is a threat to justice everywhere“. I am tired of global Africans constantly waiting for saviors outside of themselves, then saying that Whites setting up charities in global African nations is about White guilt and exploitation, as they sit down and watch their own people suffer and do nothing but blame others for those very same conditions which they have lived in or watched from afar as the sum of who they are with apathy and a dangerous mixture of escapism and defeatism. I am just as tired of White people going into global African nations and societies with so called good intentions laced with a sense of entitlement in trying to fix the problems of global Africans with no consideration of embracing an African solution to African problems in having those they help aspire to be forever indebted and grateful to them for saving them from themselves and those who look like them in order to give themselves relevancy in the equation of problem to solution. We all need one another and as the African proverb says “two heads are better than one“, but as Chimamanda Adichie explained in the danger of a single story…“Show a people as 1 thing, as only 1 thing over & over again & that is what they become. Power is the ability not just to tell the story of another person, but to make it the definitive story” “Media Terminology is Extremely Important. It Sets the Tone for How The Story Is Perceived by the Audience. Many media outlets have various style guides about how they go about reporting such stories. Fundamentally the basic rule when you look at the western media’s coverage of terrorism is- terrorism is what other people do to us, it is not what we do to them…Truth is already a casualty of a war that hasn’t even started yet” Today I watched as former UN Secretary General Kofi Annan became the man of the hour serving as a UN special envoy to Syria declaring “The Killing Must Stop” . Well, the killing must stop all over the world. The killing of life through bullets, bombs, images and language must stop all over the world in order to stop the decline in our humanity. We need to deal with the language and imgery we use in our causes for humanity. As an African child watching global UNICEF Ad. Campaigns employing the world to “help Africans by donating a dollar or a few quarters a day”, you know the one that generations have joked about poking fun at the pathetic Africans with babies happily living in dirt because those that gave birth to them don’t know any better.
I often wondered if they knew, cared or thought about how that language and imagery spread world wide affected the psyche of African children like myself on the continent and in America navigating our way thru schools in America that only educated its people on Africans being made into slaves in America, as we try to explain to young impressionable minds that our Africa was more than children with bloated bellies needing the cost of a basic soft drink to survive and that we have and will always be more than just the summary of our enslavement and colonization narrative. Today thanks to the game changer of technology in Africa, Africans have found their voice in debunking stereotypes and directly answering in their own viral videos, posts and tweets to those who continue to exploit inaccurate portrayals of Africa and Africans.
If we are going to be real let’s ask why we choose these types of images and verbiage in selling Africa to appeal to people for aid and who exactly are we appealing to. How often do we see UNICEF, the Red Cross and the plethora of charitable organizations utilize the images of celebrities and those global Africans from the same nations which they serve to speak for their nations and to be the face of a -yes we can attitude in Africans doing for Africans even if it’s through the assistance of those not of their culture? Does Africa not have our own Angelina Jolies, Madonnas, Bonos etc. in the world who would make much more of an impact in changing the story of global Africa to global Africans by seeing the possibilities of what can be instead of the same imagery from slavery, to colonization, to civil rights to modern day so called post racial world that still puts out mostly or only the images of White people saving global Africans from themselves and those whom look like them? Humanity is full of flaws and even the best of us with the greatest of intentions sometimes falter to repeat the cycle of the condition of our conditioning. When and how will we be committed enough to not repeat the cycle or is the cycle put in place so we can all play our usual parts to keep the same story going with no one really willing to rock the boat to change course?
“Perhaps when charities are looking for spokespeople and ambassadors they should look to Africans as well. They should look at our “celebrities” and prominent figures, people who understand Africa far better than any celebrity visiting for charity projects who’s rushing from 5-star hotel to disease-ridden village and back again to the 5-star hotel. Our celebrities, in my opinion, have a responsibility to their countries, whether they live in them or not. That way communication doesn’t just stop at a TV ad or a glitzy campaign. People from beyond the continent can help with a fresh perspective but, truly, nobody knows the problems we face as well as an African does. We don’t only know about the corruption, we know who the main culprits are. We know who will waste the money; we know where the real thieves live. An African celebrity doesn’t need to look at a picture of a starving child to feel empathetic; they probably don’t have to look much further than their own village. Youssou N’dour as a UNICEF ambassador makes sense. He may not prove as popular on twitter as Lady Gaga, but I believe his interests in improving Africa are more genuine…Author of Dead Aid, Dambisa Moyo, has been highly critical of celebrity campaigns: “[I] was at a party to raise money for Africans, and there were no Africans in the room, except for me… I’ll make a general comment about this whole dependence on celebrities. I object to this situation as it is right now where they have inadvertently or manipulatively become the spokespeople for the African continent.” READ MORE
It just so happens that before I got side tracked with hype of Kony 2012, I was on a Ugandan high elated to tell the readers of this blog about two great Ugandans that I was introduced to this week in order to add a different image of the Idi Amin Hollywood movie narrative where the focus is the Last King of Scotland saving Ugandans from yet another African dictator directed by the same Kevin McDonalad now telling the story of Bob Marley and according to his own words finding the most new and interesting facts about Bob Marley being that ”he was a vegetarian & that his father was a White man from England” -SMH! The connectivity to soul can never be manufactured…it’s planted from root to fruit, so it is difficult to have certain expectations of those who are not of its roots to bare its ripe fruits.
As I once said in my own blog “I am not implying that non-global Africans shouldn’t be allowed to write books about Africa; however I am questioning the expert title given to these writers who are telling stories of people & places that they are often no more than passerby’s & visitors of, while those who actually have been immersed in & live the culture are often passed over for equal opportunities to tell their own stories….” READ MORE
I came across a great new global African from Uganda by the name of Michael Kiwanuka who has been named BBC’s sound of 2012 – an accolade that in the past had been given to globally acclaimed artists like Adele and Corrine Bailey Rae. When I first heard Michael’s voice, it brought amazing solace and satiation to my heart like the taste of fresh cold water from an African spring after walking miles in harmattan heat.
I was also able to meet a great woman who represents so much for the trials and tribulations as well as achievements in fashion and philanthropy for global African women and Ugandan young women in particular named Erlin Ibreck. Erlin is amongst our African super sheroes and global African daughters of Yaa Asantewaa who are often overlooked because their work goes beyond seeking the spotlight. Erlin is amongst our many global African women who have followed their dreams in blazing the trail thru careers that maybe unconventional to the idea of the security of financial freedom that their elders seek for them, so they can have an easier road to life than they did. As I sat with Erlin, she informed me that she was from Uganda just in case I didn’t know, there was a certain joy and bond to hear those words as an African woman and to hear her stories of working with the greatest photographer that my homeland Ghana has ever had, James Barnor. Erlin was one of his models for one of the greatest magazines, DRUM, which celebrated its 60th year anniversary in December and in the 50’s and 60’s represented the greatness of the global African image often never seen by the global world and best of all it was produced in Africa. Just knowing of her existence, hearing her story and seeing her as the Program Director for the Strategic Opportunities Fund at the prestigious Soros Organization known all over the world gave me instant elation of the possibilities of the future for young global Africans like myself just by having her example. I thought wow- Africans and in particular young Ugandans need to hear these voices and to know these stories, and after seeing the Kony 2012 video, I thought to myself why do these charities and istitutions never utilize or colloborate with those who are immersed in and living the culture on a daily basis and whom as Bob Marley says “can’t run away from themselves” because even privilege does not allow it when the foundation in the roots has been set from birth, something which those that are not of the culture can never truly say or own.
If Kony 2012 in re-sparking up the old debates brought on by global Africans like Dambisa Moyo, Wangari Maathi , Kimmie Weeks and so many others in challenging us all to follow the money and the usefulness of NGO’s fighting the same causes for centuries and decades with little change in Africa and other parts of the world, and if it opens the eyes of global Africans to really look in the mirror to face their truths in asking themselves the real questions on why the image above of “White people saving Africans” is always the global image of fighting the African cause and how Africans are complicit in letting that continue in order to truly seek out and act toward the necessary changes needed in our collective global dialogue and fight for human rights and true freedom in self empowerment- then it has done something great; whether we agree with the delivery, premise or the charity that it supports. Unfortunately it often takes harsh reality in many forms to wake us all up to our own reality , fears and our true purpose in this world. Life is hard as it is, so when we start to want to save the world it begins to be overwhelming in the fine balance of altruism and self serving profiteering.
So many AfriCan generations leave Africa to make a difference and to be that change just to repeat the cycle, the same way that the generations of NGO’s come to Africa to make a difference and to be that change also repeat the same cycle. Many of us taking a stand as change makers for Africa and her Diaspora today are the generation of the great leaders of the wind of change that came through Africa in the 60’s as well as her Diapora; and subsequently the White children of that same era and the Obama generation are also taking their place in the legacy of activism and being change makers. This so called Obama generation, in the subgrouping of those labeled as the educated White college students from middle class and privileged generations who are often credited for catapulting then Senator Obama’s presidential campaign from obscurity to viability with their own viral blasts in being part of hope and change are the same generation of Kony 2012 who had access enough to walk thru the annals of American government to demand the signature of President Obama to send troops to Uganda to aid in bringing 1 Ugandan man to justice, while Black Americans who overwhelmingly voted to put President Obama in office can not seem to even get a seat at the table to get the assitance needed in the killing of young Black boys and girls on a daily basis in Chicago, Detroit and many of those urban areas that have streets named after the civil rights legacy of Dr. King, Malcolm X, W.E.B Dubois, Harriet Tubman and so many others who built the foundation for this nation to ever even consider having a Black President after over 200 years.
We are continuously consumed by the power we don’t have and what others are doing or not doing for us instead of building on the power and foundation that we do have to also have a seat at the table in order to also do for ourselves in demanding the same changes that Kony 2012 and other White led charities wield all over the world in coming to the rescue of global Africans. Somehow we have accepted being the consummate minority without a voice in a constant state of emergency that needs a voice that is not our own to get to the mountain top. These charitable organizations wouldn’t be there if there wasn’t a need for them to be there; whether it’s in good or bad, in saving or preying. There has been a global uproar against presidents like Mugabe who is labeled a tyrant and a dictator for having the audacity to strip Whites in Zimbabwe of their land to give it back to the indigenous people of Zimbabwe, but where is the uproar of thousands to millions of displaced Africans who have been stripped of their lands to make room for NGO’s and multinational companies coming to Africa under the auspices of aiding to build a new Africa, that seems to have no need for African input?
An African can’t just go to Europe, Asia and America and just acquire land no matter how hard they work even though that is the American dream sold to the world, but American and European NGO’s can more often than not go to Africa, acquire land and often weild more power to have a seat at the table of our presidents much more often than our own elected officials. Who do we fault for that- the nation who has put the laws, infrastructure and foundation in place to protect its culture from foreign invasion in taking power from everyday people of that nation. or the ones who have remained lawless with an open door- free for all atmosphere- to exploit anything and everything as needed, as long as the select few maintain their wealth and positions.
“Imagine if every young person on the continent of Africa stood up against corruption, it would end and our lives would be better even without international aid or intervention. We can do it ourselves.”Liberian Activist,Kimmie Weeks
“From now on – today – we must change our attitudes, our minds, we must realise that from now on, we are no more a colonial but a free and independent people. But also, as I pointed out, that also entails hard work.That new African is ready to fight his own battles and show that after all, the black man is capable of managing his own affairs. We are going to demonstrate to the world, to the other nations, that we are prepared to lay our own foundation. Our own African identity…. Freedom is not something that one people can bestow on another as a gift. Thy claim it as their own and none can keep it from them. We face neither East nor West: We Face Forward..THE SECRET OF LIFE IS 2 HAVE NO FEAR” Osageyfo Kwame Nkrumah Those who are suffering and dying can’t afford to wait to think it thru on where they receive assistance from. We are conditioned by our conditioning and I’m just trying to figure out how we get past that cycle because either we learn from history or we don’t, but either way the show must go on. Either way everyone feels they are where they should be and are entitled to be there to take their positions. I want to know the source of this “Kony 2012 White people Saving Africans” image above for the full story, but either way we must handle the truth. It all comes from an idea and a cause…where are our ideas and causes…And why are our dreams usually deferred…or are they?
When does the foolishness end all around…from the exploited to the exploiters…from Africa to the West, East and all points in between.
“The photograph was immediately criticized.A widely-cited student blog “Visible Children” called it an indication of Invisible Children’s emphasis on direct military intervention in Uganda. The Racialicious, a race and pop culture blog, said the photo helped paint a “picture of neo-colonialism.” Others quoted Chris Blattman, a political scientist at Yale, who wrote that Invisible Children’s program “hints uncomfortably of the White Man’s Burden… the savior attitude.”
To get the story behind the photograph, I turned to Glenna Gordon. who captured the moment at the Sudan-Congo border during the 2008 peace talks while she was on assignment for the Associated Press. Hear her take on the Kony 2012 campaign after the jump.
Q. How did you happen to be there to take this photo?
Gordon: I was on assignment for the AP covering the 2008 peace talks between the Ugandan government and the LRA, and we were all sort of stuck at this small camp, in the same space, to wait for the talks to resume. There was nothing to do. I saw that the Invisible Children guys were [posing with guns], and I thought I should take some pictures.
Q. What were the reactions of the SPLA members standing with them?
Gordon: The SPLA were into it, because they were bored too. People were having a lot of fun videotaping it, taking Polaroids and posing with all of these guys. Everyone was into it.
I think I felt a lot of discomfort, but I didn’t say to stop it, which maybe I should have because if we were attacked by LRA then, the SPLA should have had guns in their hands.
Q. Invisible Children has received some criticism that their efforts and this photo seem “colonialist,” or hint at the “white man’s burden.” What do you say to that?
Gordon: I think all of those things are true. The photo plays into the myth that Invisible Children are very much actively trying to create. They even used the photo on their official response page. I don’t think they think there is a problem with the idea that they are colonial. This photo is the epitome of it, like, we are even going to hold your guns for you.
Q. What did you think of the Kony 2012 video?
Gordon: I can’t bring myself to watch the video. I found all of their previous efforts to be emotionally manipulative, and all the things I try as a journalist not to be. After the peace talks in 2008, they put out another video, and I saw the footage used in these videos blending archival footage with LRA and SPLA and videos of them goofing off. It was the most irresponsible act of image-making that I’d seen in a long time. They conflated the SPLA with the LRA. The SPLA is a government army, holding weapons given by the government, and yet they did not create any division between them and LRA. That’s terrible.
Q. How did you see other aid groups and Ugandans respond to Invisible Children while in Uganda?
Gordon: People who have lived there for years, bona fide aid workers who have studied foreign policy and other relevant fields like public health, who are really there because they are trying to solve problems — they see Invisible Children as trying to promote themselves and a version of the narrative.
Most Ugandans also think they are ridiculous. They say “Invisible Children! They seem pretty visible to me.” Even the name is so loaded.
In Uganda, Invisible Children has programs operating but I don’t want to speak to those because I don’t know them.
Q. The Kony 2012 campaign has made a lot of people aware of Joseph Kony. Do you think there will be a tangible impact of Kony 2012?
Gordon: The LRA isn’t even active in Uganda anymore, so we’re getting the issue to the spotlight with so much misinformation. I applaud efforts to bring humanitarian crises to the limelight, but if we do so with misinformation, we are sure to make mistakes. We need to do so with an eye toward accuracy and responsibility.
Q. The filmmaker of Kony 2012 featured his son in the video to help people understand the situation in Uganda. Do you think that contributed to the film’s success?
Yes, and I think that it is a legitimate comparison to make in the film between Ugandan and American kids. It’s a mistake to think that we shouldn’t have the same expectations for livelihood, education, etc. for children in both countries. And that idea may create more political will….“ READ MORE
“The most potent weapon in the hands of the oppressor is the mind of the oppressed…“Being black is not a matter of pigmentation – being black is a reflection of a mental attitude. Black Consciousness is an attitude of the mind and a way of life, the most positive call to emanate from the black world for a long time. The most potent weapon of the oppressor is the mind of the oppressed. Black man, you are on your own…” Stephen Bantu Biko
We need more thinkers in the world not just intellectuals and politicians self righteously telling us all what is best for us. We need those thinkers who are not afraid to face our truths in fears of failure. This little story I received from a friend sums it all up to me. Today I choose life in knowing that I am exactly where I need to be with much more life to come for me and for Africa.
A boat docked in a tiny Mexican fishing village. A tourist complimented the local fishermen on the quality of their fish and asked how long it took him to catch them.
“Not very long.” they answered in unison.
“Why didn’t you stay out longer and catch more?”
The fishermen explained that their small catches were sufficient to meet their needs and those of their families.
“But what do you do with the rest of your time?”
“We sleep late, fish a little, play with our children,
and take siestas with our wives. In the evenings, we go into the village to see our friends, play the guitar, and sing a few songs. We have a full life.”
The tourist interrupted, “I have an MBA from Harvard (a consultant?) and I can help you! You should start by fishing longer every day. You can then sell the extra fish you catch. With the extra revenue, you can buy a bigger boat.”
“And after that?”
“With the extra money the larger boat will bring, you can buy a second one and a third one and so on until you have an entire fleet of trawlers.
Instead of selling your fish to a middle man, you can then negotiate directly with the processing plants and maybe even open your own plant.
You can then leave this little village and move to
Mexico City, Los Angeles , or even New York City !
From there you can direct your huge new enterprise.”
“How long would that take?”
“Twenty, perhaps twenty-five years.” replied the tourist.
“And after that?”
“Afterwards? Well my friend, that’s when it gets really interesting,” answered the tourist, laughing. “When your business gets really big, you can start buying and selling stocks and make millions!”
“Millions? Really? And after that?” asked the fishermen.
“After that you’ll be able to retire, live in a tiny village near the coast, sleep late, play with your children, catch a few fish, take a siesta with your wife and spend your evenings enjoying your friends.”
“With all due respect sir, but that’s exactly what we are doing now. So what’s the point wasting twenty-five years?” asked the Mexicans.
And the moral of this story is: Know where you’re going in life….you may already be there.
There’s nothing wrong with money but we must not give our souls to it in worship because that is when it becomes the root of all evil. Money has many forms abstract and concrete. It’s the overzealousness in giving our souls to it in worship that corrupts us and keeps the endless cycle going in the condition of our conditioning with very little in embracing our true humanity in being our brother and sister’s keeper, allowing and providing the basic necessities of life and the pursuit and enjoyment of happiness at any and all levels. We can’t love money more than we love ourselves. I employ us all to take Kony 2012 and the global dialogue it has catalyzed in seeking our own truths in knowing where we are all going in our lives in order to find out if we are already there in being the change that we want to see. As Helen Keller put it ”The best and most beautiful things in the world cannot be seen or even touched – they must be felt with the heart.”
The Uncomfortable Truth… “You guys are as stagnant as the water in the lake. We come in with our large boats and fish your minerals and your wildlife and leave morsels—crumbs. That’s your staple food, crumbs. That corn-meal you eat, that’s crumbs, the small Tilapia fish you call Kapenta is crumbs. We the Bwanas (whites) take the cat fish. I am the Bwana and you are the Muntu. I get what I want and you get what you deserve, crumbs. That’s what lazy people get—Zambians, Africans, the entire Third World.” “I see you are getting pissed off,” Walter said and lowered his voice. “You are thinking this Bwana is a racist. That’s how most Zambians respond when I tell them the truth. They go ballistic. Okay. Let’s for a moment put our skin pigmentation, this black and white crap, aside. Tell me, my friend, what is the difference between you and me?” “Absolutely none,” he exclaimed. “Scientists in the Human Genome Project have proved that. It took them thirteen years to determine the complete sequence of the three billion DNA subunits. After they were all done it was clear that 99.9% nucleotide bases were exactly the same in you and me. We are the same people. All white, Asian, Latino, and black people on this aircraft are the same.” “And yet I feel superior,” he smiled fatalistically. “Every white person on this plane feels superior to a black person. The white guy who picks up garbage, the homeless white trash on drugs, feels superior to you no matter his status or education. I can pick up a nincompoop from the New York streets, clean him up, and take him to Lusaka and you all be crowding around him chanting muzungu, muzungu and yet he’s a riffraff. Tell me why my angry friend.” “Please don’t blame it on slavery like the African Americans do, or colonialism, or some psychological impact or some kind of stigmatization. And don’t give me the brainwash poppycock. Give me a better answer.” He continued. “Excuse what I am about to say. Please do not take offense.” “You my friend flying with me and all your kind are lazy,” he said. “When you rest your head on the pillow you don’t dream big. You and other so-called African intellectuals are damn lazy, each one of you. It is you, and not those poor starving people, who is the reason Africa is in such a deplorable state.” He was implacable. “Oh yes it is and I will say it again, you are lazy. Poor and uneducated Africans are the most hardworking people on earth. I saw them in the Lusaka markets and on the street selling merchandise. I saw them in villages toiling away. I saw women on Kafue Road crushing stones for sell and I wept. I said to myself where are the Zambian intellectuals? Are the Zambian engineers so imperceptive they cannot invent a simple stone crusher, or a simple water filter to purify well water for those poor villagers? Are you telling me that after thirty-seven years of independence your university school of engineering has not produced a scientist or an engineer who can make simple small machines for mass use? What is the school there for?” “Do you know where I found your intellectuals? They were in bars quaffing. They were at the Lusaka Golf Club, Lusaka Central Club, Lusaka Playhouse, and Lusaka Flying Club. I saw with my own eyes a bunch of alcoholic graduates. Zambian intellectuals work from eight to five and spend the evening drinking. We don’t. We reserve the evening for brainstorming.” READ MORE “There’s a difference between the one who rents a house & the one who owns a house. The one who rents a house doesn’t care if the walls crack & crumble, they can always move to another house. The one who owns a house knows that no one else will take care of it thus they paint the walls & mend the cracks. It is not President Obama’s job to save Africa…it is not Madonna’s job & OUR governments have shown that it is not their job either. Responsibility is not shared it is earned, freedom is not given it is taken! When we decide we want freedom we will have to get it ourselves because if this country/continent burns we burn with it!”
]]>In honor of Ghana’s 55th year of Independence and women’s history month we honor and celebrate the daughters of Yaa Asentwaa- the image makers and global African powerhouses representing the future of the Black Star…
]]>In honor of Ghana’s 55th year of Independence and women’s history month we honor and celebrate the daughters of Yaa Asentwaa- the image makers and global African powerhouses representing the future of the Black Star Nation of Ghana thru their powerfully creative endeavorers. March 6, 1967 Ghana was declared an independent African nation with the first globally recognized Black president who forever changed the global lexicon on what “Black Star Power” and “African Personality” was, is and will be. Before Dr. Kwame Nkrumah stood at Black Star Square AKA Independence Square – there was Yaa Asantewaa who would forever epitomize why we call the continent with the most natural resources Mama Africa. Yaa Asantewaa showed why many African nations are built on matriarchy and how the power of the women from village to city has always been there and will forever be there for the birth, nurturing , growth and progression of its future. America may have Rosie the Riveter as their icon of unstoppable women who refuse to sit back and be denied or have their freedom be deferred to their men to do right by them in a time of war; the women who gleefully say to their men anything you can do I can do better; however Rosie ain’t got nothing on Yaa. Women of global Africa and in particular the women of the the Black Star Nation of Ghana will forever have the legacy and battle cry of Yaa Asantewaa empowering them in their sense of spirit and responsibility to building the future of Ghana as they consume & embody these words.
“Now I see that some of you fear to go forward to fight for our king. If it [was] in the brave days of Osei Tutu, Okomfo Anokje, and Opoku Ware, chiefs would not sit down to see their king to be taken away without firing a shot. No European could have dared speak to chiefs of Asante in the way the governor spoke to you this morning. Is it true that the bravery of Asante is no more? I cannot believe it. It cannot be! I must say this: if you, the men of Asante, will not go forward, then we will. We, the women, will. I shall call upon my fellow women. We will fight! We will fight till the last of us falls in the battlefields.” Yaa Asantewaa-Queen King Of Kings…
Today we have great young women of global Africa continuing to build on this legacy, while remembering that Dr. Osagyefo Kwame Nkrumah said “Our independence is meaningless unless it is linked up with the total liberation of Africa.”
Get to know some of the many women who I call ”Daughters of Yaa Asantewaa” hailing from the Black Star Nation…The work of Independence Continues……
Politics & Governance
By now most know that Samia Nkrumah has become one of Africa’s new darlings for the future of women in politics. With the polarizing Nana Konadu Agyeman Rawlings, the former first lady & founder of the 31st December Women’s Movement out of the running for the 2012 Ghana elections, many have their eyes on Samia Nkrumah to possibly be the first woman elected to Ghana’s presidency, following in the footsteps of her father & Liberian President Ellen Johnson Sirleaf & other women presidents around the world in also solidifying her place in the world record books as 1st. With the rise of Samia Nkrumah being elected as MP (member of parliament ) in her father’s hometown & then being named the chairperson for the CPP ( her father’s party ) along with the subsequent departure of Dr. Papa Kwesi Nduom, who was the CPP’s 2008 presidential candidate as well as the foreseen flag-bearer for 2012, there is now an opening for Samia Nkrumah to surge forward toward her presidential dreams & to follow in her father’s footsteps….READ MORE HERE
By now most people have become familiar with the ICC (International Criminal Court ) in its bias to bring only African heads of states and criminals to justice as representative of the criminality of governance in the world. While the ICC maybe criticized particularly amongst Africans for its apparent bias, today I celebrate one of our own Daughters of Yaa Asantewaa showing that in order to have a say at the table of power , one must first have a seat at the table. Get to Know Judge Akua Kuenyehia….
“Akua Kuenyehia’s office, on the top floor of the International Criminal Court in The Hague, is filled with Africa. There are maps of the continent, African art on the walls and a shelf of beautiful African carvings…Judge Kuenyehia, one of three female African judges at the ICC, is first vice-president of the court. And because all the cases currently at the ICC are African, the Ghanaian judge feels that her knowledge of her home continent serves her well…For example, she and her colleagues had to approve the forms that victims of war crimes fill in if they want to take advantage of the court’s unprecedented move to allow them to have a greater involvement in proceedings….”When people run away from conflict they often take nothing with them, so we cannot ask them to produce passports, email addresses or paperwork,” explained Judge Kuenyehia…As well as being first vice president, Judge Kuenyehia is also one of the judges in the pre-trial division, which deals with preliminary issues, including admissibility of cases and the confirmation of charges against an accused. This means she assesses all the evidence that Chief Prosecutor Luis Moreno-Ocampo brings against a war crimes suspect, and decides with the other pre-trial judges whether a case should come to trial…A former lecturer in criminal law, gender law and international human rights law at the University of Ghana, Judge Kuenyehia has co-authored several books and influential papers on how law is interpreted and implemented throughout her continent. She told IWPR she has spent many hours arguing over cases with her husband, who is still a practising lawyer in Ghana…She has sought to encourage African women to gain a better understanding of the law, setting up networks of female professionals who go out into communities to promote awareness of legal rights and issues…She represented Ghana on the United Nations’ Convention on the Elimination of All Forms of Discrimination against Women, CEDAW, committee in 2003 and worked hard to contribute to its reputation and influence….READ MORE
Filmmakers
Filmmaking has grasped young Ghanaian women like wildfire in excellence amongst this new generation. There are a plethora of Ghanaian women filmmakers that are making their mark on the global film industry, while being in the forefront of building the African and in particular Ghanaian film industry, so many that I just can’t name them all, but be prepared to know their names because the takeover is coming to a theater/TV screen near you. We can not celebrate the future until we celebrate the past and in filmmaking there is no other woman representative of the Black Star Nation better than Auntie Efua AKA Efua Theodora Sutherland, whose own legacy continues through her charitable organization Mmofra Foundation- where children and culture connect.
Efua Theodora Sutherland (1924-1996) renowned playwright from Ghana, affectionately called Auntie Efua, entered in the annals of African cinema history in 1967, in association with the production of Araba: The Village Story. The film was produced for the U.S. television network ABC to document the successful Atwia Experimental Community Theatre Project. The initiative is recognized worldwide as a pioneering model for the now popular Theatre for Development. She is well known and admired as dramatist and writer, continuing in her chosen field of drama having never produced another film. Her role as foremother in African cinema, documenting African culture and experiences, is indicative of the practices of many African women. Some women have entered filmmaking as a primary career, while others have used the moving image as a medium of expression in their work. And thus, Efua Sutherland was a devoted and passionate cultural producer whose vision and influence continue to reach far and wide. At the funeral of “Auntie Efua”, Kofi Anyidoho reflected on her life in this way:
“Dr. Efua Theodora Sutherland. ‘Auntie Efua’ is best known for her pioneering work as a cultural visionary and activist, her impact on society at once comprehensive and enduring. Teacher, research scholar, poet, dramatist, and social worker, she devoted her life to the building of models of excellence in culture and education, and to the training of young people who would carry her vision into the far future…” It was also in the final phase of her work that she gave to Ghana and the African world probably her grandest artistic vision for uplifting and reuniting African peoples through the arts—an original proposal for the Pan African Historical Theatre Festival, the Panafest Movement. This final gift underscores the significance she attached to connections between Africa and the Diaspora. She played a very critical role in the establishment of the W.E.B. DuBois Memorial Centre for Pan African Culture. She belonged to an extensive global network of friends, many of them eminent creative minds….READ MORE
HERE…NOW… THE FUTURE ……
Amma Asante (born 1969) is a British Ghanaian writer/director/producer who has recently garnered the coveted big budget film project that many filmmakers dream of. Amma’s first feature film A Way of Life was partly written to honor the Welsh identity of her niece and nephew. It won her a BAFTA (British Academy Film Award) for special achievement by a writer/director in a debut film. According to Amma “I found myself wanting to challenge the stereotypes, and show that people who seem different can be incredibly similar. I wanted to find the humanity that links us all, really. That’s what a good film is all about….” Amma’s second feature film of her career will be “Belle“ based on a true story of Dido Belle ( a mixed raced woman raised as an aristocrat in 18th-century England) projected at a budget of over 10 million dollars. Amma Asante is showing herself as a force to be reckoned with not only in the responsibility in educating the world on people like Dido Belle, but also being the manifestation of global filmmakers telling our global African stories all over the world.
“As a child, Asante attended the Barbara Speake stage school in Acton, London, where she trained as a student in dance and drama. She began her film and television career as a child actress, appearing as a regular in the British school drama Grange Hill. She fronted the “Just Say No” campaign of the 1980s and was one of nine Grange Hill children to take it to the Reagan White House. She went on to gain credits in other British television series including Desmond’s (Channel 4) and Birds Of A Feather (BBC1), and was a Children’s Channel presenter for a year. In her late teens, Asante left the world of acting behind and eventually made the move to screenwriting with a development deal from Chrysalis. Two series of the urban drama Brothers and Sisters followed, which Amma wrote and produced for her production company and BBC2. Asante’s 2004 feature film, A Way of Life, was her directorial debut. In November 2004 The London Film Festival awarded Asante the inaugural Alfred Dunhill UK Film Talent Award, created to recognise the achievements of a new or emerging British writer/director who has shown great skill and imagination in bringing originality and verve to film-making. February 2005 saw Amma collect the award for The Times Breakthrough Artist of the Year at The South Bank Show Awards and nominations for Best Newcomer at both the Evening Standard and London Film Critics Awards. At the BAFTA Film Awards in February 2005 Asante received the BAFTA Carl Foreman Award for Special Achievement by a Writer/Director in a debut film…Read More
I recently got to know filmmaker Akosua Adoma Owusu and found out she was part of the petite spifires of the Black Star nation much like myself. I was happy to be introduced to her by our ever growing daughters of Yaa Asantewaa sisterhood slowly and steadily erecting globally, after first being introduced to her work “Me Broni Ba” AKA My White Baby-the bane of our colonial lexicon of affection in mental slavery . Akosua tackles a deeply seeded root from Africa to the Diaspora that have told generation after generation of global Africans that somehow being compared to White or Whiteness equates to being beautifully right. Akosua was 1 of 23 filmmakers selected to receive a Creative Capital 2012 grant for her upcoming project Black Sunshine which tackles yet another deeply seeded subject that is often untouchable not only in conversation let alone on full theatrical blast for the world to get in on the conversation of Albinism and the African perspective. As our global creatives continue our legacy, I look forward to having more and more of our stories told in our own voices.
“Akosua Adoma Owusu is an award-winning filmmaker and artist of Ghanaian descent. A protege of prolific filmmaker, Kevin Jerome Everson, she received her MFA in the Schools of Film & Video and Fine Art at the California Institute of the Arts, and her BA at the University of Virginia. Owusu`s short film “ME BRONI BA” (“My White Baby”) garnered critical acclaim with screenings at over 60 international film festivals including Rotterdam, London Film Festival, Visions du Reel, Silverdocs, and the Cannes Film Festival at Short Film Corner. It was ranked Top 10 in the October Issue of ArtForum Magazine in 2010 and earned several Best Documentary awards, including a Golden Gate Award nomination in New Visions at the 52nd San Francisco International Film Festival….Following the success of “ME BRONI BA,” Owusu`s next short work, “DREXCIYA”, was inspired by a myth of the Detroit-based techno band. It was praised at the 2011 Tarifa African Film Festival ‘for its radical nature’ and ‘poetic insight’ and went on to win Best Experimental Film at the Expresion en Corto Film Festival in Guanajuato, Mexico. Shortly after graduating from CalArts, she was the youngest of 42 black conceptual artists included in the group exhibition, 30 Seconds Off an Inch, at the famed Studio Museum in Harlem, where she also exhibited solo video projects. Her videos have shown at art venues including the Museum of Modern Art, Rencontres Internationales Paris/Berlin/Madrid, the National Gallery of Art, Transformer Gallery, BOZAR, LA Freewaves, Vox Populi, Spaces Gallery, and The Luggage Store Gallery. She was also a featured artist at the 56th Robert Flaherty Film Seminar and a Directing Talent at the Berlinale Talent Campus and the Durban Talent Campus in South Africa….Owusu`s professional experiences include Development and Production internships at Echo Lake Productions and HBO Films. For the latter, she received an Academy of Motion Pictures Arts and Sciences grant to provide post-production assistance on Chris Rock’s documentary Good Hair. She participated on the screening committee and jury of AFI Silverdocs and Festival Des Trois Continents. One of five recipients and the first Ghanaian to receive the award, Owusu will be funded by Focus Features` Africa First Program to direct a short film entitled “KWAKU ANANSE”, an adaptation of a traditional Ghanaian folktale mixed with live action and animation. She is currently developing her first feature, “BLACK SUNSHINE”, about a young albino girl. The film participated in the “Produire au Sud” workshop in 2010 and the Amiens Script and Screenplay Development Fund in 2011. The feature is an international co-production with Owusu’s company, Obibini Pictures, musician Salif Keita, his Salif Keita Foundation, and Arizona Films based in France…. READ MORE
California based Leila Djansi is a rising star amongst Ghanaian filmmakers. With her often controversial love/ hate relationship with Ghanaian media, it seems Ghanaian audiences just can’t seem to get enough of how beautifully she captures their nation and tells their stories, while bringing an international audience to Ghanaian films by making great choices in casting and telling stories that are relatable to the world. Leila’s films continue to win awards in Ghana and abroad. Sinking Sands was no different winning 3 out of the 9 nominations and her newest release “Ties That Bind” seems to be accumulating the same praises of fine filmmaking starring great global African actors like Kimberly Elise, Ama K. Abebrese and Omotola Ekeinde.
You are among a growing number of African women who have studied filmmaking in the United States. You began your career in Ghana before traversing the Atlantic. What was your experience with cinema growing up in Ghana?
It wasn’t an elaborate experience really because not much was going on then. But, what was ongoing was fun. From where I am now it seems very amateurish but its how I got here. I learned the basics and got myself fortified for where I am now.
What are some of the differences and similarities in working in Ghana and the United States? Do you bring both an US aesthetic and Ghanaian perspective to your work?
Apart from the US working environment being more conducive, really not that much difference. I do try to bring both aesthetics to bear. If you are going to make an appealing film, you must make it within an acceptable standard.
Among your film credits are, I Sing of a Well, Sinking Sands and the soon to be released Ties That Bind. What have been some highlights during the production of the films? How have they been received?
Highlights, they were all fun to make. Tears and Laughter. Money and No money. I Sing of a Well was not well received. Ghana is a very tricky and delicate place. The people’s minds get conditioned and it takes time to add more to what they already know. So from the get with I Sing of a Well, we made mistakes. Casting, budgets and logistics wise, we made grave mistakes. But all that was a learning process which made Sinking Sands a success and more acceptable….READ MORE
Shirley Frimpong-Manso seems to be the go to writer/director/producer amongst established and up and coming Ghanaian actors who want quality work locally that sets the bar higher than your average Nollywood or Ghallywood films. Shirley seems to bring the challenege that many Ghanaian actors need in pulling out academy award nominated and winning roles for some of Ghana’s top actors like Lydia Forson and Jackie Appiah. She is one of the few women filmmakers from Ghana who is making great strides and gaining international recognition while being based solely in Ghana.
“Frimpong-Manso is a founder and CEO of the film, television, and advertising production company Sparrow Productions. Frimpong-Manso “seeks to raise the standard of film production in Ghana and Africa by telling progressive African stories as seen through the eyes of Africans.”She won ‘Best Director’ at the African Movie Academy Awards 2010…. Read More
Sam Kessie, a London born,Ghana raised & now Atlanta residing writer/director/producer/set designer and all around film creator, who has done it all from the bottom up into an award winning filmmaker taking on the daunting & epic task of telling the story of one of Africa’s sports heroes,Azumah Nelson AKA The Professor, can now add 2012 Ghana Music Awards nomination to her accolades for her beautifully crafted video “No One Knows” by M3NSA featuring Asa. Sam has made it her goal to follow in the footsteps of great women of Ghana like Auntie Efua by also setting up her own charitable foundation The TKAFoundation or (Tomorrow’s Kaleidoscope of Artists) which raises funding in support of the arts along with teaching the freedom in filmmaking to Ghana’s disadvantaged youth. ….Read More
FASHION
All you have to do is step off the plane at Kotoko airport to know that Ghana is where it’s at for fashion on the continent. I maybe biased but if you don’t believe me ask Franca Sozzani of Italian Vogue. It seems the world is delightfully enthralled with everything African these days and nowhere is the demand and elation of endless satiation more felt than what is being called the new renaissance of African fashion. For decades the grand dame of New York fashion week’s front rows, Zelda Kaplan had been wearing and telling everyone about her insatiable love and passion for African fashion, or as she tells it ”Primitive Cultures”. This year in the most dramatic fashion forward of ways Zelda died sitting in her front row seat adorned in her beautiful primitive fashion without the show even stopping. Well Ms. Zelda,may the notion of “Africa as primitive culture” get laid to rest with you in fashion’s past because today’s African fashion innovators are far from primitive and have been steadily challenging the many preconceived and adopted notions about what African fashion is all about. There are countless male and female fashion designers doing the dame thing globally while raising the Black Star flag, but here a just a few of Yaa Asantewaa’s daughters of fashion that you should get to know.
Mimi Plange to me is the budding female version of Oswald Boateng, representing Ghana on a global high end level without utilizing the expected fabrications and stylings of what is traditionally seen as Ghanaian or African, yet making everyone proud from Ghana to the Diaspora in knowing that their brands represent the best in quality globally . Mimi is slowly and steadily becoming the new young talent that is the toast of the town amongst fashion elites like Andre Leon Talley, whom she counts as a mentor along with collaborating with the Sex and the City’s fashion god of sexy to die for footwear (until the red bottom takeover), Manolo Blahnik.
“With a mother who modeled for Ghanaian magazine Drum, Accra-born Mimi Plange has loved fashion from an early age, sketching under the guidance of an architect uncle. She learned the trade as a freelance contractor, first as a women’s designer at Rachel Roy. For her fall/winter collection under the label Boudoir d’Huitres, the designer presented 28 looks inspired by her homeland in a loft-like space with a sense of professionalism and a keen eye for editing…Her fourth collection shows just how adept she is at finessing her ideas into shapes geared to an upscale consumer who wants to dress in a variety of ways—she’s no Jane One-Note. She took the idea of African scarification to come up with the zigzag concepts on simple white sheaths, as well as for her cool biker trousers in luxe leather teamed up with a camel-hair T-shirt. She has a refined sense of fabric and mixes the rich copper tones of the African plains in wonderful little dry wool slip-like dinner dresses, some falling from jeweled halters, and others draped origami-style in bustiers that are flattering, not just a design conceit…READ MORE
Christie Brown is the go to designer at home in Ghana where she too brings Haute Couture to the home grown fashion in crowd by utilizing traditional fabrications with untraditional structuring of beautiful fashion creations. With a newly opened boutique in the hot shopping district of Osu,where foreign currency is king- Christie Brown will be sure to draw in her fair share of locals and visitors looking for top quality high fashion with dollars, pounds, euros and cedis to spare.
“Aisha Obuobi – creative director and founding partner of Christie Brown Ltd – began her love affair with fashion at an early age. Her grandmother, who the brand is named after, was a seamstress so she grew up watching Ms. Christie Brown, stooped over a sewing machine, creating beautiful clothes…like pieces of art – out of rich, vibrant materials. As a little girl, she reveled in playing with shreds of African print material and designed mini collections for her favourite dolls…Aisha started this label whilst in her final year at the University of Ghana, Legon, where she majored in Psychology and she is driven by the desire to create beautiful pieces that will enhance the natural beauty in Christie Brown’s clients. In 2009, Aisha won the highly coveted “Emerging Designer of the Year” award at the inaugural Arise Fashion Week, in South Africa. She was invited to sit on a panel at the African Economic Forum, which took place at Columbia University, New York, and Marie Claire (international) featured Aisha as one of twenty-one “Daring Women of 2010″, noting the “the energy, the courage, the creativity,” and “the drive” behind her work.…” Read More
As far as fashion journalism goes there is no other than Ghana’s own Zandile Blay. I first met Zandile during the time when she used to curate networking events for fashionistas while complaining about having to travel to London again for a a lengthy period for work and study- poor thing-LOL! Those days have come and gone with stints at Paper Magazine and Huffington Post, but Zandile has continued to establish herself in the cutthroat world of global fashion journalists while still steadily letting the world know about all things beautiful that Africa has to offer thru her labor of love Africa Style Daily. Zandile while writing about the world of global fashion has also been the subject of many writers who also celebrate her “it girl” fashion sensibilities. Zandile recently penned a New York fashion week story letting Huffington Post readers know about the African fashion invasion that is slowly creeping up in the fashion world, ready for its close up!
“From the exuberant sexiness of HVS to the sumptuous elegance of David Tlale to the architectural austerity of Telfar, their labels show an African aesthetic that goes beyond ‘Tribal Prints.’ Yet, that we are even exposed to their aesthetic at all speaks of their greatest triumph: an ability to break into the West despite scarce resources, scant mentorship and few mainstream fashion contacts. In fact with the exception of Plange, who counts Duro Olowu and Andre Leon Talley as mentors, almost none of the designers above can boast of similar connections. In addition, they seem far from being on the radar of career-changing program’s like the CFDA Fund, Ecco Domani Fashion Fund or W Hotels’ recently launched Fashion Next…To solve this, these enterprising African designers are leveraging alternate methods like Twitter and Facebook to gain support and exposure…” READ MORE
Belinda Baidoo is a model, new mom and entrepreneur leading the way with others who are looking to change the face of Ghana’s fashion with upscale styled boutiques sprouting up along the busy international area of Osu in the capital city of Accra. As they say home is where the heart is and Belinda’s love for fashion is being developed at home in Ghana where she began her career as a model. Belinda opened the b2 models agency to give aspiring Ghanaian models the mentorship and opportunity to blaze their own trails right along her own. Belinda first came on the scene after winning Top Model of Afrique in 1998 & then went on to sign with a Q model management , one of the top agencies in New York-known to many as the global fashion capital of the world. Belinda has been seen on billboards, advertisements in New York’s infamous Times Square along with international fashion magazine spreads and major Ad. Campaigns for international companies such as: Guinness, L’Oreal, Nike, Giorgio Armani, Ralph Lauren and Motorola. Belinda has also been featured in international publications such as Vogue, Essence and Cosmopolitan, just to name a few. Belinda thru her modeling agency b2Models continues to mentor & develop Ghana’s international models of the future.
Cultural Curators
The great writing daughters of Yaa Asantewaa like Nana Ekua Brew-Hammond and Ayesha Harruna Attah are telling the beautiful stories of the Ghanaian experience in literary form with their books Powder Necklace and Harmattan Rain, while what I call cultural curators of our generation are utilizing multimedia platforms to continue the oral, written and visual history of our global African experience. There are so many cultural curators amongst the daugthers of Yaa Asantewaa who are finally coming into their own and getting their just due proudly preserving the culture of Ghana/Africa while mainting the balance of sharing the culture through a global creative lens.
I recently had the pleasure of finally meeting Nana Oforiatta-Ayim on her travel to New York to showcase her work as part of The New Museum’s Triennial entitled “The Ungovernables” – showing until April 22, 2012. Nana was first introduced to me by iconic living legend of photography, James Barnor because of our collective dedication to see the wonderful artistic cultural history of Ghana preserved and well showcased for generations to come. We are now on course to build our global Black Star Collective in honor of Yaa Asantewaa and Dr. Nkrumah by putting Africa first because we know that Africa was the beginning and is the future.
“Nana Oforiatta Ayim is a cultural historian, writer and filmmaker based in Accra and London. She is currently working on a research publication and exhibition for the EU/AU on cultural heritage and contemporary arts institutions in Africa with architect David Adjaye (2011, Bozar, Brussels) and a book on Ghanaian photographer James Barnor (2010, Trolley Books, London). Her writing has appeared in publications such as The National Geographic, The Statesman, The Dubliner and Time Out. She has lectured and presented her scholarship at Universities, including Cambridge, Kumasi, London and Oxford. She has curated exhibitions and events for institutions such as The British Council, The British Museum, The Liverpool Biennial, The Royal Festival Hall and The Victoria and Albert Museum. In her fiction and short films she deals with the themes of translation and the gaps within language. Her first fiction book ‘The Tightrope Walker’ will be published in May 2010. Her films have been nominated for awards at various festivals, such as The Milan African Film Festival, The RAI Ethnographic Film Festival and The Real Life Documentary Film Festival. They have also been shown at venues such as The Museum of African Diaspora and used in university curricula. She is a founding director of ANO, a non-profit organization dedicated to the interface of culture and development in Africa and its Diaspora. She has an MA in African Art History and is completing a PhD in African Languages and Cultures at the University of London...” [Credit:This is My Africa]
I was introduced to Yaba Blay’s documentary (1)ne Drop dealing with the never ending issue of identity politics and colorism amongst Blacks in America before I ever knew it was done by a Ghanaian, then I learned that this Ghanaian professor was young, in touch and will organize the daughters in a quick New York City minute if and when ever she sees our young girls and boys being disrespected and led astray by the likes of those in and outside of our community. Yaba Blay and other non-Ghanaian daughters of Yaa Asantewaa created ”We Are the 44% ” coalition to bring much needed awareness to violence against young Black and Latina girls. Blay does not only act from the heart of a mother at these times but also from the power of the legacy of Yaa Asantewaa fully locked & loaded to defend and protect the culture.
“Yaba Amgborale Blay is a Visiting Assistant Professor of Africana Studies at Lafayette College where she also teaches courses in Women’s & Gender Studies. She received a BA in Psychology (Cum Laude) from Salisbury State University, an M.Ed. in Counseling Psychology from the University of New Orleans, an M.A. and Ph.D. in African American Studies and Graduate Certificate in Women’s Studies from Temple University. Prior to her tenure at Lafayette College, she taught African American Studies at Temple University, African and African Diasporan Studies at Florida International University, and Africana Studies at Lehigh University. Professor Blay has developed and taught such courses as Engendering Black Popular Culture, the Politics of Hip Hop Culture, Black Images in the Media, Dimensions of Racism, and Black Feminisms….”Yaba’s research interests are related to Africana cultural aesthetics and aesthetic practices, the politics of embodiment and African/Black identities, issues of gender in Africa and the Diaspora, Black popular culture, and critical media literacy. Her dissertation, Yellow Fever: Skin Bleaching and the Politics of Skin Color in Ghana, relies upon African-centered and African feminist methodologies to investigate the social practice of skin bleaching in Ghana….” READ MORE
As a a long time fan of WBAI, it’s always great to hear a Ghanaian voice even if it comes in a British accent-LOL! Esther Armah is not only a sweet in the morning radio voice but also a writer whose first book “Can I Be Me” -a collection of essays about her travels as a journalist navigating her Black British identity across Africa & America- hit the top 10 list for best selling books for January and February on the website African American Literature Book Club dedicated to books by and about global Africans/Black people.
“Esther Armah is a radio & tv host, playwright and award-winning international journalist. In New York, she hosts Wake Up Call, WBAI 99.5FM’s morning show and is a regular commentator and guest host on GRITtv with Laura Flanders and MNN’s Ancestor House with Camille Yarbrough. Esther has written extensively on African Diaspora issues for The Guardian in London, Essencemagazine in the US and West Africa magazine in Africa and Europe. The themes of her written work are reflected in the issues portrayed in Armah’s four New York stage plays, Can I Be Me? Forgive Me? Entitled! and SAVIOUR? Esther is the creator and moderator of ‘Afrolicious: an Emotional Justice Arts and Conversation’ series in New York. A global citizen, she now lives in Brooklyn, New York…(Source Here)
PHILANTHROPISTS
To say June Sarpong is a trailblazer is to say the least about her many accomplishments. This young icon of British television has become one of the best known Ghanaian philanthropist with honours from Buckingham Palace as an ambassador of the Prince’s Trust along with being a Co-Founder with her fellow Bristish Ghanaian and former Hollywood executive Dee Poku of W.I.E (Women: Inspiration and Enterprise) – an organization that empowers and inspires women through its websites, symposiums and community.
“This month’s profile is a TV/radio personality who was at the forefront of urban youth TV programmes during my teenage years. In era where “dark skin” women were not shown much love on TV she was a pioneer of the “young black female presenter”, here’s her story; Sarpong was born in London to Ghanaian parents. She was educated at Connaught Girls School in Leytonstone and Sir George Monoux College in Walthamstow. She began her media career with Kiss 100 and later became an MTV UK & Ireland presenter (MTV Dance Floor Chart and MTV Select show). As the one of the female faces of Channel 4’s Sunday morning strand T4 for the last nine years, she interviewed Tony Blair for a T4 special, When Tony Met June which aired in January 2005. She also runs her own production company, Lipgloss Productions. Projects in development include a sitcom and a programme on climate change…In recent years, Sarpong has presented other series including Your Face Or Mine?, a game show co-hosted with Jimmy Carr for E4; Dirty Laundry, an urban talk-show which was an original idea of Sarpong’s; Playing It Straight, a dating game-show filmed in Mexico for Channel 4, and Sarpong has presented the Smash Hits Poll Winners Party and the Party In The Park. Sarpong is a regular at the MOBO Awards and has presented them for three years in a row. She has also appeared on BBC Television’s Question Time, 8 out of 10 Cats, and Have I got news for you. She also has appeared on the programme, Never mind the buzzcocks and introduced reports on youth culture for This Week. In 2006 she hosted ITV2′s WAGs Boutique. Sarpong has also appeared on the third series of Bo Selecta…)…Sarpong is an ambassador for The Prince’s Trust and also campaigns for the Make Poverty History movement. In April 2005 she visited Ghana to make a film for Make Poverty History. She also hosted the major Make Poverty History event in London’s Trafalgar Square in summer 2005 on behalf of Nelson Mandela and Bob Geldof. Also On 7 July 2007 Sarpong presented at the UK leg of Live Earth at Wembley Stadium, London…Probably her most significant honour to date came at the age of twenty nine and after six years as a broadcaster, she was awarded an MBE in the 2007 New Year Honours List for “services to broadcasting and charity”…. READ MORE
Nana Eyeson-Akiwowo while building her career in editorial positions at globally known publications like Seventeen and Essence, established her charitable organization African Health Now to make sure that global Africans without money and insurance would be able to have basic healthcare after the personal experience of her father suffering a heart attack in Ghana catapulted her to seek to make a difference for others who are less fortunate financially but just as deserving of proper healthcare. Nana’s annual healthcare drives in Ghana where she comes as mother Christmas, fundraising and organizing Ghanaians to come together to take care of the basic healthcare needs of our communities has now been expanded to include the diaspora with an ever growing number of global Africans unable to receive basic healthcare because of lack of insurance and money.
“In 2006 my father suffered a heart attack in a taxi cab after leaving the hospital and being treated for numbness in the leg. Considering that at my father’s age at the time he was 68, any US hospital would have automatically checked his heart and other vitals especially if he came in for numbness in the leg or any lack of mobility of the leg or arms. However that is not the case in Ghana, at most hospitals you could barely get to see a doctor let alone have someone run your vitals. And though we were fortunate enough to have the means to get him better care, it made me wonder what happens to people who don’t have the means. And who speaks for them? ” READ MORE
Rebekah Frimpong -Filmmaker/Poet/Mentor/Activist and Philanthropist has manifested her words “Revolution over loot! Africa must be free in our hearts, Africa is our home only we can change the landscape of tomorrow”, as she works tirelessly to keep her dreams of being a great filmmaker alive while helping others manifest their dreams through her philanthropic work with her Mama Africa charitable program. Rebekah is constantly on the move in creativity with all her heart and soul poured into project after project regardless of the obstacles and challenges put in her way as a filmmaker and philanthropist.
“Rebekah A. Ofori-Frimpong was a Miss Ghana Africa USA 2010/11 finalist in the Miss Africa USA 2010/11 Pageant , she is also a mentor, teacher, filmmaker, and activist. As a Miss Ghana USA 2010/11 finalist, she pushed for a platform of Global Health for Africa and for Africans living in the United States. She believes that a new face of African health is possible by encouraging African people to empower themselves through healthy lifestyles. Her approach to Global Health and presenting a new face of African health is to connect communities in the United States and Africa through a three tier approach that will encompass social, environmental, and preventative measures in relation to improving health conditions worldwide. She attributes her success to her mother and the many strong women in her life. She has studied Public Health at Mount Sinai School of Medicine and has a pre-med degree in psychology and life science from Virginia Commonwealth University. She has had many years of experience in clinical research, education, women’s health, and environmental studies. She developed MaMa Africa concept four years ago after working with teenage mothers in Virginia. The MaMa Africa program, Rebekah hopes will be something that can be implemented around the world and she aims to reach at least 1, 000 mothers by 2012…” READ MORE
Menaye Donkor Muntari- former Miss Universe Ghana 2003, Model, Actress, Philanthropist prides herself in being an image role model for young girls, particularly young global African girls, by promoting a healthy body image that comes with self love and confidence. Menaye’s modeling career and editorial credits span from Africa to Europe and America including being the only African woman featured in Fox Sports sexiest World Cup WAGs (Football wives & girlfriends) in 2010 along with a feature in Maxim Magazine’s Italian edition ,just to name a few. Menaye has an ongoing health & fitness blog with OK! Magazine’s Famously Fit and will be a guest judge on the African based Project Runway styled show entitled “Fashion Power” shooting in Ghana & Nigeria. Menaye is not only a beautiful model, but also a great philanthropist who recently commissioned an ICT center at her namesake charity school for boys and girls in Ghana. Menaye has been a great role model for young girls in Ghana with her push for education, AIDS awareness and her upcoming new fashion based shows making the dreams of young fashion designers and fashionistas from Ghana come true with an opportunity for mentorship and to promote their designs internationally. The Menaye International School in the central region of Ghana offers free education to over 150 underprivileged children and she continues to build a brighter future for Ghana one child at a time.
MUSIC IS A WEAPON
The daughters of Yaa Asantewaa have taken over the music world in the craziest of ways from opera, to rap, to R& B, to dance, to hip-hop, to pop and all sorts of mixtures and inflections brought together thru their global African experiences. These women know the power of music and they use it as a weapon to tell our global African stories while debunking the myth of a singular African sound. There are so many greats musically coming out of this generation but here are a few of the ones to watch.
Born in Battersea to Ghanaian parents, Tawiah’s soulful rock melodies with gospel inflections compliment her quirky rainbow child punk rock fashion stylethat is very much her own. One can clearly hear & see the culmination in adaption of her personal influences which she touts as Kim Burrell, Björk, Radiohead, Erykah Badu & Ella Fitzgerald as her musical favorites & Vivenne Westwood as her fashion favorite. Tawiah comes to us from the Brit School peforming academy in London,which boasts recent success stories like Amy Winehouse, Adele & Leona Lewis. Tawiah’s short resume in music is impressive as she has rocked the stage singing backup for Corinne Bailey Rae & touring with uber producer Mark Ronson’s band. Taiwah recently inked a deal with Warner Music Group & is ready to take the world by storm as yet another child of the Black Star nation who will meet a meteoric rise to fame!
Vienna-born and raised, with parents from Ghana, Anbuley is a vocalist with presence and a style that sticks in the mind. She’s also got an unerring sensibility when it comes to drawing on those roots of hers to make inspired dance music…’The singer started out adding her resonant voice to some deep, Africa-inspired bass tracks with producers like Bert on Beats and Ku Bo. If you heard those, you remember them. Last year, she put out her equally memorable Tsakemo EP, followed by the Kemo’ Yoo Keke EP on Austria’s Seayou Records.The cuts mix the stunning efficiency of Euro dance with the organic power of the traditional music Anbuley grew up with. A lot of that power is channeled through her voice. And it sounds even more heavy when you know “Kemo’ Yoo Keke” is about not letting people push you around….” READ MORE
While American Hip-Hop connoisseurs debate over whether the Australian import and newly signed artist on T.I.’s Grand Hustle label, Iggy Azalea, or the toast of European fashion couture houses and Harlem stunner Azealia Banks are the two to watch in the new renaissance of female MC’s to give the reigning queen Nicki Minaj a run for her money and talent; the other side of the atlantic is toasting Ghana’s own dominating female MC and Queen of Azonto, Tiffany, who will be making her US debut at Ghana’s 55th Independence Concert on March 17th, 2012 at the Armenia Hall Ballroom produced by Boogie Down Nima Productions.
Rhian Benson Born in Accra, and raised in Wales, Ghana and India, Rhian grew up in a very musical environment. Her Welsh mother was an accomplished singer, and her father, an Ashanti naval officer, is a gifted guitarist. Rhian started playing piano at the age of nine and picked up guitar soon after and before long, a budding singer songwriter. Behind the warm honeyed voice is a sharp mind, Rhian gained an economics degree at the London School of Economics and worked in banking in the City for a time, a somewhat stark contrast to her own desires for a life in music. Her studies continued at Harvard in America, until her mother fell ill and Rhian returned home to care for her ailing mother. With time to think she found healing and release in music and decided to chase her singing dreams, feeling as though it was a risk worth taking in order to dance her heart’s dreams into life. With the help of Danish rising star production duo, Daniel Fridell and Jonas Rendbo, Rhian has diligently and lovingly cooked up the ingredients for her new album title ‘Hands Clean’ to be released in early 2011. HANDS CLEAN is a refreshing departure from Rhian’s previous work. Rhian’s well known sultry vibes are teamed with a collection of pulsating electronic grooves to introduce her fans to a hidden ground where Sade meets DJ Shadow. This is a bold album that dares to redefine modern soul music. Rhian has been nurturing her expressive style and is looking forward to showing the world more of her exquisite soulful sound. Everything about this album has been organic and refreshing, and Rhian is quoted as saying: “I met Jonas and Daniel for a brief writing session in Copenhagen a while ago and we just hit it off immediately, the guys were so passionate about creating truthful music that speaks from the soul to the soul. They instantly understood the sound and feel I was looking for… so I asked them to produce the entire album with me and I thank God they said yes!’ Rhian’s sophomore album -‘Hands Clean’- represents a strong evolution of her unique style and ventures into fresh and bold sonic terrain for the critically acclaimed singer/songwriter. These confessional tales of love and life represent a new direction for this singular artist as she journeys beyond the ‘Gold Coast’. “I experienced great change in my life since writing my first album so when I began writing ‘Hands Clean’ all I wanted to do was create a sound that in some way captured that state of flux”. READ MORE
As far as an authetic soul sound of Ghana goes there is no other than the reigning queen Rebecca Acheampong, AKA Becca, who has taken Ghana and Africa at large by storm with powerful music celebrating positivity, womanhood and sisterhood. The glowing beauty of Becca shines as bright as a black star on a clear moonlit night when she calls us to Push and bring the Fire of an African woman.
“Becca, the latest sensation in Ghana Music. The beautiful, simple and young looking 22 year old lady, an old student of Wesley Girls High School in Cape Coast and Croydon College in London where she attained her certificate in Child Care and Education is back to her motherland Ghana to prove what she is made of…”. READ MORE
And Then there’s the incomparable Ghanaian Hungarian who goes by the name Sena. To say the world needs a bit of Sena Dagadu in their life is truly an understatement because Sena’s effortlessly powerful voice resonates within the soul with that sort of soothing satiation that makes one remember why music is as essential to life as water and should be cherished in pure love. Yes I am a big fan of Sena, whether she is lending her voice to the reggae rhythms of her band Irie Maffia, taking us through the journey of global Jazz’s soul with Forward Ever or Barabas Lorinc Eklektric, FOKN’ around with the Bois in Ghana and Budapest or blowing our minds with another unexpected solo project that introduces us to a new sound in how we hear Shakespeare’s sonnets. Sena is the truth, fully representing for Hungary and the Black Star Nation of Ghana as a musical daughter who would make Yaa Asantewaa proud as she takes over the world with her electrifying sound. Now sit back and enjoy a truly independent global Black Star experience!
“The Future of Ghana is Bright …provided our leaders will make good use of financial resources…I believe that Ghana can do much better by investing in its people. I think that if you don’t provide education and training at all levels, we will miss that boat because Paradise is right here in Ghana. I believe it…I think we have a great Ghana but we have more to go but we have all the pieces in place to polish up into a wonderful place…God put us at the center of the universe for a reason. We are the shining bright start of Africa and I think Ghana is coming into its own…I also believe that Ghanians this year have taken a whole new appreciation for Ghana, but at the bottom of it is we need to work out our economics because at the end of the day it boils down to our economic strength apart from our spiritual strength. We’re thru with poverty, we’re thru with being highly indebted anything, we’re thru… I think we are going to a new place, completely new and it will have nothing to do with the spirit of poverty because there’s a spiritual awakening also happening right now in Ghana and that awakening is also identifying what that spirit of poverty looks like and we will have nothing to do with it. I think 10 years from now if we should have this interview again , we’ll be telling a different story…”
“I want to see a time when the children of Africa will not have a need to go overseas to make it..” Princess Asie Ocansey- CEO Neko Tech Centre -Daughters of Yaa Asantewaa
Sudanese born Ataui Deng has slowly , quietly & steadily with an all encompassing ferociousity captured the high end fashion world from the most coveted runways , to editorials and Ad. campaigns much like her countrywoman ]]>
Sudanese born Ataui Deng has slowly , quietly & steadily with an all encompassing ferociousity captured the high end fashion world from the most coveted runways , to editorials and Ad. campaigns much like her countrywoman Alek Wek did when she became the first African model to appear on the cover of Elle in 1997- six years after Ataui was born. There is a great new crop of African models blazing trails in defining their Africa- one nation at a time- models who have never forgotten their African roots and sense of responsibility to cultivating those roots for the future.
While the ubiquitous and never ending conversation amongst Black models maybe the fact that the fashion industry is often less inclusive of them, you rarely find models like Ataui and the crop of new African model trailblazers amongst the conversation. Ataui and her fellow African models often come into the industry with completely different attitudes in knowing greater obstacles of the impossible in exclusion from people whom share their same pigmentation and often look just like them, to be focused on what is often seen as the lesser level of the impossibilities brought by humanity’s ignorance in lack of exposure because of their greater sense of what can truly happen to dreams deferred based on their own real life personal experiences amongst those whose responsibility should be and is to see that there is a path paved for the dreams of their own future to be realized. These models detour from the impossibility of industrial politics and rather focus on doing everything in their power toward toppling those hurdles & obstacles thrown in their way to stifle their dreams because they know that every achievement they accumulate will be put in the memory banks of young African girls all over the world to be able to dream bigger knowing that they have the collateral to back it up. Africa’s greatest commodity is its people and trailblazing women continue to honor the legacy of the great women who came before them by setting the example and building future greats one achievement at a time.
As much as we spend time talking about the obstacles and hurdles of Black inclusion in a White dominated industry, we should spend just as much time and energy cultivating the importance of achievements, expansion and betterment in and of our own industries and people. Why should Alek Wek whom at her time was such a different model of Black beauty to the global fashion industry be introduced to the world on the cover of Elle instead of those magazines like Ebony and Essence who claim to be their global Black counterpart- who often follow suit after mainstream as defined for them what “Black” is beautiful.
“Every model that basically is a model in NY is there because she is a beautiful girl, but personality counts quite a bit- it sometimes is what distinguishes 1 girl from another. This girl really has that personality & importance. There is not 1 person that doesn’t meet her that she doesn’t immediately charm. Anywhere she goes whether it’s in the industry, whether she’s outside on the street, whether she’s on the train- people immediately radiate toward her, they start up conversations with her- she’s very open to everybody…I laugh sometimes because you’ll be in a taxicab & all of a sudden the taxi cab driver starts talking to her…” This is Africa -the rest of the world is just catching on 2 Authentic African beauty & personality….
It seems every single year since I have been old enough to be interested in watching the Oscars, I have heard the same narrative from Black America talking about lack of inclusion and how Hollywood…
]]>It seems every single year since I have been old enough to be interested in watching the Oscars, I have heard the same narrative from Black America talking about lack of inclusion and how Hollywood has no respect for Black stories and Black actors, and how they choose to tell the same single story about Blackness and reward the same types of roles when it comes to Black actors. Well this year on the 84th year of the Oscars, the narrative is sadly no different. I have had to watch a Black woman defend herself to her own people & literally strip herself down to her bare essence of Blackness to take her power in claiming that her voice too is relevant in the bigger picture; and I must say Ms. Viola Davis has done it beautifully in making me a believer and pumping my fist in solidarity with her and the many others who have had to bare this cross & burden voluntarily or involuntarily in being the voice & hope of the much too often silenced people through the usual loud voices of our intellectuals in shaming, dooming & glooming future Blackness.
We fail to see the danger in our telling of our own single story of pain, slavery, colonization, disenfranchisement and blaming of Hollywood and everyone within earshot of our wrath for exclusion and lack of opportunity in being given the chance to tell our own stories and to claim our own freedom and destiny in progress and achievement. We continue this same narrative generation after generation wondering why we can’t seem to move forward in living up to and claiming our full destiny, while often forgetting the narrative of self determination that brought us out of slavery, colonization and having to beg for the crumbs off the table of those who once owned us and saw us as lesser than themselves.
Today, as I watch the people of Senegal & many other global Africans continue to fight for their freedom from within the confines of leaders who look just like them without a care in the world from Black media outlets consumed with the fight against Hollywood , The Help and Chris Brown and Rihanna- all I could think of is whatever happened to the days of Pan-Africanism , when we saw and believed that we as global Africans had one struggle and that our liberation depended upon the unity in the collective of our priorities in fighting against that struggle. As Dr. Kwame Nkrumah said “Freedom is not something that one people can bestow on another as a gift.Thy claim it as their own and none can keep it from them. We face neither East nor West: We Face Forward. ”
We as a community take every opportunity to tighten the noose of Black Liberation around Tyler Perry’s neck in continuing to only see and to tell the narrative of the darkness of black without looking beyond our self righteous noses and personal disdain in seeing and telling the story of liberation brought on by a Black man who never gave up on his dream in order to get to the point where many had hoped our chosen one Spike Lee would have gotten by the same will and spending power of our people. Every time we choose to voice our disdain for Tyler Perry , we must remember that we are voicing our disdain for our own people in our own community because they willed him into existence, just in the same vain that every time we cheer on Spike Lee’s expletive driven tirades of disdain for Hollywood and Tyler Perry , we should remember that it is in calling and begging to be given some crumbs off of the table of the same master which we are told time and time again has to give us the green light to be able to tell our own stories and to do right by ourselves in freeing ourselves. As the saying goes “don’t bite the hand that feeds you“. If we want to be consumed with gaining acceptance and accolades from Hollywood instead of looking to our global billion plus selves, who have built industries in Africa and continue to get accolades throughout the world for their own self determination in building toward our global rise and recognition, then we must learn to fall back as the servants of those who we beg to feed us financially, spiritually , creatively and literally in attaining our daily bread- while dismissing the idea of what can be if we changed our mindset and invested in ourselves globally.
“Any leadership that teaches you to depend on another race, is a leadership that will enslave you” Marcus Garvey Jr.
Why did it take “The Help” to be written and put on an international screen by White people for Black America to all of a sudden realize that there had to be responsibility taken in telling the story of our domestic workers when we have had many platforms for many years to tell their stories locally and globally? Why did we have to wait for George Lucas to take 23 years to give us “Red Tails”, when we have had these stories and have been making films far better with lesser budgets than Red Tails? We fail to take ourselves to task in only utilizing our platforms as writers, journalists, filmmakers, investors, commentators, bloggers, pundits and town criers only when the time of outrage calls for it because we seem to be stuck in the narrative of our pain and struggle, which we are complicit in constantly selling to the world. Did these stories not exist before and will they not continue to exist long after “The Help” is nothing but Oscar’s past?
With all the Black millionaires and billionaires that we celebrate in the frivolousness of their expenditures, why do we not take them and ourselves to task for the fact that after so many years of slavery and Civi Rights- we are still begging for Hollywood and White people at large to give us the opportunity to tell our own stories? We refuse to take the Oprah’s of the world to task for having the power and platforms to do just that by saying they have done enough for Black people and that they can spend their money however they want and don’t owe Black people anything, yet we somehow feel justified in saying Hollywood and White people at large somehow should spend their money on us in giving us the opportunities to tell our own stories because of the free labor given by our ancestors and those who came before us- without ever seeing the fact that those who came before us also gave the Oprah’s, BET’s, Edmond’s Entertainment’s, RLJ Development’s and so many other Black owned platforms the same opportunity with their free labor and hard work toward change, freedom and progress to exist and to continue the work that they started in lifting our communities locally and globally by telling our own stories.
To somehow have greater expectations of those outside of ourselves than those within ourselves is by far the epitome of the dangerous depths of mental enslavement. Continuing to make the narrative about how racist Hollywood is and in the same breath begging them for inclusion to me is pretty much the same as talking about how racist the KKK is & then trying to change their mindset by begging them for Black inclusion. Would having Black membership change the fundamental business model, practices and foundation of the KKK? Business is about competition and in business you are only as good as your lack of competition in alternative choice in whatever you are selling to potential customers, so let’s focus on getting in the race for what we feel we deserve and truly competing instead of hoping for our competitors to somehow go out of business or change their business model in order for us to be able to survive and to have an opportunity to reach the top. Team Work Makes the Dream Work. Why should it ever be OK for someone like Oprah to create a whole network and have Black people as an after thought when ratings are down, and somehow have her partners blatantly say that they will not be “selling out” by totally investing all efforts in targeting the Black community; yet it is not OK or somehow racist when Hollywood and White people at large say and do the same?
“We’re not going to sell out and just chase one demographic or segment,” he said. “We’re going to nurture the success we had with “Sweetie Pies.” The Oprah brand is very broad. How we translate that to the screen is the challenge we have.” READ MORE
This is not by any means an indictment on Oprah personally because we all know that she has and continues to do her part for the advancement of our community; Rather this is a wake up call for us to realize that Hollywood and White people at large have always been consistent in their narrative toward us just as much as we have been consistent in our narrative toward ourselves and them. We are the ones that have become disconnected, confused and inconsistent in being the change we want to see not Hollywood or White people at large because they are just fine with seeing us where we are because it is often beneficial to them. We somehow find it OK to be disrespectful of our elders like Bill Cosby who gave the entire world a different narrative of the Black family and Blackness that was foreign to many, without realizing that we are the ones who dropped the ball from what he and many others like him started in putting in the work and according to conspiracy theorists going even as far as having his only son inadvertently as the sacrificial lamb in silencing him to make sure his dream of wanting to see us reach higher heights by buying NBC to make sure we had a seat at the global networks table was never realized.
As we come to the close of Black History Month in America, I hope Viola Davis & Octavia Spencer both win the Oscars for “The Help” and that it continues to eat up the souls of all those who are completely against this Oscar narrative to take personal responsibility in doing better by knowing better because more often than not in our history our leaders who we now admire, celebrate and quote had their dreams and missions of empowerment and advancement of us as a people taken down by their own in being the perfect pawns for those who continue to benefit from the danger of our own single story. I hope before all of you watch the Oscars today that you listen to the words of Octavia Spencer and Viola Davis to Tavis Smiley and look at the bigger picture by looking at the man and woman in the mirror, whether you agree with them or not and make that change that you want to see because if you are not part of the solution then you are part of the problem.
“The most potent weapon in the hands of the oppressor is the mind of the oppressed…“Being black is not a matter of pigmentation – being black is a reflection of a mental attitude. Black Consciousness is an attitude of the mind and a way of life, the most positive call to emanate from the black world for a long time. The most potent weapon of the oppressor is the mind of the oppressed. Black man, you are on your own…” Stephen Bantu Biko
“Emancipate Yourself from Mental slavery, none but ourselves can free our minds” Bob Marley
“Show a people as 1 thing, as only 1 thing over & over again & that is what they become. Power is the ability not just to tell the story of another person, but to make it the definitive story”
“And that’s what people want to see when they go to the theater. I believe at the end of the day, they want to see themselves – parts of their lives they can recognize. And I feel if I can achieve that, it’s pretty spectacular.…And this is what was fascinating to me about ‘The Help’; they were ordinary people who did extraordinary things.…Can I just tell you, I think it’s the most beautiful thing about young people today, it gives me so much hope for the future, that they don’t really recognize race the way my generation does…” Viola Davis
“We don’t have to wait for someone to greenlight our projects we can create our own intersections..we don’t just have to act in the sitcom, we can own the show & the network..we don’t have to be at the end of the line waiting for a hand out, we can be at the front giving a hand up..we don’t have to wait for somebody to give us 40 acres & a mule we can buy our own.. U can b born into a whole lot of a nightmare but God can usher u into a dream” Tyler Perry
“We will never survive as a group until we get into communities & not neighborhoods…We’ve been so busy dealing with the hurt & pain & the misery & glamorizing a hand few that have made it, that we have never really looked at like the say your role model ..if u haven’t got a role model in ur house then u should fall on ur knees & pray to God because something is wrong” #ItTakesAVillage….
Menaye Donkor Muntari- former Miss Universe Ghana 2003, Model, Actress, Philanthropist & Sulley Muntari- AC Milan /Ghana Black Star footballer will be in New York on February 26-29th for the Ghana Vs. Chile friendly match…
]]>Menaye Donkor Muntari- former Miss Universe Ghana 2003, Model, Actress, Philanthropist & Sulley Muntari- AC Milan /Ghana Black Star footballer will be in New York on February 26-29th for the Ghana Vs. Chile friendly match promoting unity & peace for the upcoming Ghana elections along with giving their fans in the United States an opportunity to see their Black Stars in play at Philadelphia Union’s Pple Park for the first time since they became the global fan favorites at the 2010 World Cup in South Africa and the sad loss that brought back the old wounds of the Black Star Nation at the 2012 Africa Cup of Nations co-hosted by Equatorial Guinea and Gabon.
Sulley Muntari is currently on loan to AC Milan from Inter Milan, where he played his first game & scored the first goal to garner AC Milan a 3-0 win against Cesena , returning AC Milan to the top of Serie A. Muntari was part of Coach Jose Mourinho’s European Cup winning team in 2010, which marked Inter Milan’s first European Cup win since 1965. Muntari was one of three African players featured in Vanity Fair’s spread shot by famed photographer Annie Liebovitz dedicated to the 2010 World Cup held for the first time in Africa. With over thirty goals scored in his career, Muntari maybe known on the field as an aggressive hot tempered passionate player, but off the court he is a make love not war loving husband & uncle to many, who sites artists like Usher amongst his favorite artists to listen to before warming up for his matches. Sulley was also recently featured supporting Ghana’s top hip-life recording artist Sarkodie and the Azonto dance craze that has taken over the world from the shores of Ghana West, Africa.
Menaye was the only African woman featured in Fox Sports sexiest World Cup WAGs (Football wives & girlfriends) in 2010 and has been featured in Maxim Magazine’s Italy edition along with countless other magazines in Europe and Africa. She has an ongoing health & fitness blog with OK! Magazine’s Famously Fit and will be a guest judge on the African based Project Runway styled show entitled “Fashion Power” along with the makeover show “M.O.D” (Make Over Divas & Men of Distinction) shooting in Ghana & Nigeria from March thru April. Menaye is not only a beautiful model, but also a great philanthropist who recently commissioned an ICT center at her namesake charity school for boys and girls in Ghana with her husband Sulley Muntari, along with giving the funding needed for the Ghana Black Star Supporters group to be able to cheer on their National Team at the 2012 Africa Cup Of Nations. Menaye has been a great role model for young girls in Ghana with her push for education, AIDS awareness and her upcoming two new fashion based shows making the dreams of young fashion designers & fashionistas from Ghana come true with an opportunity for mentorship and to promote their designs internationally. WithVogue Italia’s Franca Sozzani’s exploratory trip to Ghana and Nigeria to learn more about the fashion industry in Africa, it has put more of a spotlight on what African celebrities like Menaye have been doing in making sure they often wear African designers to their high profile events. Menaye and Sulley are in the forefront of supporting and funding many projects dedicated to education, arts and sports programs in their native country of Ghana, West Africa and are excited about coming to see their fans and supporters in the United States.
For Endorsements/Press Inquires:
Contact: Aretha A. Sarfo @ VISIONS Entertainment & Publicity/Global FusionProductions Inc.
aretha.amma@globalfusionproductions/212-280-0699
]]>As Dr. Kwame Nkrumah said: “I am not African because I was born in Africa, but because Africa was born in me.”
When I see articles like “Some blacks insist: ‘I’m not African-American” & ]]>
As Dr. Kwame Nkrumah said: “I am not African because I was born in Africa, but because Africa was born in me.”
When I see articles like “Some blacks insist: ‘I’m not African-American” & “Beyoncé L’Oreal ad controversy inspires black community backlash”; I thank my ancestors & the Almighty- which for me are one in the same- for keeping me from this mental slavery of the confusion of not having a solid foundation in knowing who I am to build from. I am proudly 100% African born in America & to be specific 100% Ghanaian born in New York. A dual citizen by passport & passage of paperwork of two nations, but a human being & a global citizen by mind, soul & freedom in knowing that no matter where I may place my feet or lay my head- there is no confusion in who I am in never denying Africa. I used to be angry at what I saw as the ridiculousness of Black Americans teasing me for being African then years later adopting the title of African-American amongst themselves as some sort of pride in the foundation of their long lost roots, which I was somehow supposed to be ashamed of until it became as fashionable as wearing kente cloth backpacks & Ankhs. We love to call ourselves the purveyors of style so much so that we even take it down to the point where we play identity politics amongst ourselves to make fashionable or not who we are as people. We sell ourselves at every point as some sort of commodity to the world that can change with the time & color of the hour like a chameleon or the fashion week color of the season; yet we put on our faces of shock & disdain when others treat us just as we sell & project ourselves.
As a young girl who endured the teasing of Black Americans simply for claiming my Africaness proudly, all I could think of when the “African-American” name change came along was being quite annoyed & just thinking to myself…ummm did anyone check with Native Africans to see if they wanted to reclaim you back since all I ever heard was how they sold you into slavery with some even being thankful that they did so to give them a better life than living in the so called backward jungles of Africa. I learned how to laugh through my sadness & anger at the ignorance of those who would never know & often chose not to know their true history or who they really are from soul, root to fruit. I had to humanize those who often chose to dehumanize who I am as an African– those whom I called lost Africans-in seeing them just simply as children of adoption who held deep seeded anger toward the parents who sold/gave them away because they had no choice but to hold all allegiance to the parents who bought/took them in love or hate, in freedom or enslavement, but nonetheless kept them alive with bountiful or minimal nourishment, while making sure they withheld all the documentation of the traces of their past that would allow them to know if they were sold/given up by choice or by force. The older I get, all I can do is feel sorry for the lost Africans who continue to pledge unwavering allegiance to everywhere else in the world but Africa, possibly the only place on earth that will ever fully accept them as their own in the true foundation of self & freedom.
It seems every year particularly around Black History Month, which is supposed to celebrate our history as global Africans, we find a way to end up desecrating it. As John Henrik Clarke said “Black tells you what you look like , It doesn’t tell you who you are” & clearly many Black people still are having issues figuring out & defining who they are. It often feels like many Black journalistic outlets own some sort of stock in constantly talking about how this or that institution is racist or biased against Black people & that stock may fall if they go a day without buying or selling that verbal & written stock for their consumers. Every fashion week, every Oscar show, every damn awards show period- given by institutions that were not built for nor by Black people, we talk about the lack of inclusion as we fight for & await inclusion while celebrating some sort of validation every time one of us makes it thru the coveted White promise land palace of glory, such as in the case of Red Tails & George Lucas getting the honored Vanguard award from the NAACP this year, which goes to a person whose groundbreaking work increases understanding & awareness of racial and social issues. This man did one movie & brought up a topic about Hollywood not running to green light any films with predominately Black casts or Black based strory lines, which was nothing new to anyone who has eyes & ears; yet he was able to use this well known fact to get Black folks hyped to go & see a mediocre film with the threat of no Black based & casted films ever being made again by anyone in the Hollywood establishment if we didn’t all run to go see it in order to make sure he turned a profit for throwing us this bone. As much as I think George Lucas had good intentions- the entire PR machine & holding the Hollywood nonsense over the heads of Black people was just too over the top for me because a good film is a good film & should be able to sell itself, but as usual Black people bought the hype & threat of never again hook line & sinker to a point where even though Ava Duvernay became the first Black woman to win a best director honor at the prestigious Sundance Film Festival & prior to that her establishing the African-American Film Festival Releasing Movement in efforts for greater focus on the writing, producing, directing & distribution of Black Films in setting the foundation to bypass the nonsense that George Lucas used to get Black folks to go & see his film; she seemed to have been not only completely overlooked for her individual efforts by the NAACP, but also by her own community in not recognizing that she has done more for the future of the collective of Black films & Black filmmakers than George Lucas’s 58 million dollar investment in Red Tails can ever do. Somehow in our praise for our “White Jesus” who gave us poor Black folks long overlooked by Hollywood a glimpse into the promise land of big budget mediocre filmmaking to bring us one step further to reaching that mountaintop, which we couldn’t possibly get there on our own because Dr. King’s time in taking us there had already come & gone; we completely looked over someone in our own community who represents our future in the excellence & self determination it has & will always take to get us anywhere, something that seems to be greatly missing in our constant dialogue of what “the white man or hollywood ” won’t or does not do for us.
Everyone speaks of how George Lucas spent his own money to make a Black film that he didn’t have to do- well that Black woman that loves & supports him didn’t have to choose him either & all those Black people that campaigned for him & got their Black booties in those theater seats so he could make a profit didn’t have to do that that either, so I would call us all even with a win/win situation except a better movie had already been made on the Tuskeegee airmen , so if Red Tails was the best we could do to honor the stories of our national heroes on a big budget platform then I won’t be shocked if Hollywood continues to not come calling.
This cycle of woe is me, the White man never gives us opportunities & goes out of his way to exclude Black people from every industry is like the screeching sound of nails on a chalkboard freezing you into a stagnation that never ends until someone goes over the deep end enough to push the screecher down from creating the useless insensitive noise that serves no purpose, but to rile up the mind & soul to agitation without much change. We are our own worst enemy in the profiteering off of our pain & woes which we seem to want to keep going in order for intellectuals & writers to keep writing books & articles, to keep having televised & un-televised conferences & platforms of debate, to keep NGO’s afloat to help us poor folks who can’t do it without them & worst of all to give us excuses for lack of self determination in getting over the hump that many before us refused to let be a deterrent in their personal achievements & achievements as a collective community. All of this talk generation after generation is nothing new, but we keep thinking we are reinventing the wheel or discovering a dialogue that has never been had before, instead of just merely going around in circles constantly missing the point to jump off the fast moving amusement park circular ride in order to be able to move forward. It often seems as if we would rather hold on to dear life to the ultimate go to crutch generation after generation, either out of plain insanity or fear of what will happen on the other side of emancipation from letting go of that mental enslavement which we seem to be so attached to as Blacks/Global Africans. We are the ones that keep the so called debate about colorism going amongst ourselves because frankly most White people in the world could careless about light or dark amongst us because for them Black is Black no matter your hue when it comes to whether they will hire, fire or give you acceptance or not & often the main factor of acceptance has more to do with the social class & wealth that one brings to the table or one can potentially bring to the table in order to be allowed a seat at the table.
Those whom came before our generation already found that out, yet we sit around kidding ourselves to think anyone with prejudices or race issues cares or will give preferential treatment if your coloring is closer to White than not, or whether you have any admixture of White or not. Anywhere in the world you go, you are still Black & for most people educated or not that means you are of African decent- they don’t care if you are from America, Jamaica, Colombia, Brazil, Puerto Rico, St. Kitts, Trinidad, Haiti, Dominican Republic, Seychelles, Libya, Nigeria or wherever –you are Black of African descent period- so you can’t run away from yourself no matter how hard you try. At some point in life global Africans will have to come to accept who they are on a global scale or continue to be at the bottom to perish in denial & disunity just as it was planned & written first by our slave masters & colonizers then by us for us!
As I see Beyonce claiming her roots as African-American, Native American & French & intelligent Black people who would most likely claim amongst their heros people like Malcolm X, W.E.B Dubois, Che Guevara, Marcus Garvey, Bob Marley & even the Black hero of our times President Obama, who made/make no qualms nor division amongst themselves as Africans, saying things like: “I don’t like African-American. It denotes something else to me than who I am,” said Smith, whose parents are from Mississippi and North Carolina. “I can’t recall any of them telling me anything about Africa. They told me a whole lot about where they grew up in Macomb County and Shelby, N.C.”…. & “That act of calling me African-American completely erased their history and the sacrifice and contributions it took to make me an author,” said Morgan, a longtime U.S. citizen who calls herself Black-Caribbean American. All I can say is Ummmm Black people FYI…no French nor Native Americans are claiming you & your America which you will fight for before Africa has let it be known for generations before you & continues to let it be known to the world that even after centuries of citizenship that you have less claim to opportunity, the American dream & all the riches & privileges that come along with it than a newly minted American citizen of European descent when you go to buy a home, get a job promotion, get your films made or get stopped & frisked by the police. After decades of celebrating Black History, still most Americans particularly our youth know very little about Black history in America because we continue to drop the ball with the lack of our own knowledge of self & the inconsistencies in our collective message. We’ve been playing with this romanticized history of rape & enslavement to make us feel somehow better & superior just as it was planned for the offspring of many of our slave master’s conquests who were told that…Yes you are so much more special & beautiful than the descendents of the slaves that weren’t chosen to be raped or the ones that got away or the savage Africans that were never sold into slavery-so sing a joyful noise & rejoice about it!
Even us proud Native Africans are about to disown you if you can’t get it together with your varying pledges of allegiance & constant name changes: Black, Caribbean, Latino, Negro, African-American & whatever else. As Bob Marley said “You can’t run away from yourself”, so if I see another article with Black people talking about how they don’t want to be called African or that they are not African & prefer to be called Black, Negro, Latino, Caribbean & everything under the sun except African, while in the same breath getting mad at White people who refuse to believe the science that humanity & language was started in Africa; therefore claiming Africa does not deny allegiance to other but rather embraces all allegiance; I am going have to defend my Africa by letting these lost Africans know that us proud Africans are not your “Bitch” to use & discard at whim nor are we hungry to claim you by any means either because we Africans have work to do in reclaiming our Africanism strongly implanted & made in Africa along with our continuous fight for sovereignty, unity & freedom in claiming Africa for Africans. We don’t need nor have anymore time for confusion with people who could careless about investing in Africa & who can only talk about how we sold them into slavery or how their ancestors far removed from them may have been Africans; yet they choose & prefer to pledge allegiance to those who actually tortured & enslaved them & still until today see them as other or second class citizens no matter how many generations removed from Africa & assimilated into America & the rest of the Diaspora that they now claim.
“On Monday the Cherokee Nation Supreme Court decided to terminate the tribal citizenship of nearly 3,000 Black descendants of freedmen–former slaves who had been owned by Cherokees. The ruling comes several months after a district court granted equal tribal citizenship rights to descendants. Monday’s 4-1 decision, overturned the district courts ruling, citing that the judge did not have the right to overturn an 1866 Cherokee constitutional amendment.” READ MORE
Go to France & find out just how French you are , go on a Native American reservation & find out just how much claim you have to Native Americans & their land & please come back & let me know how your multiple allegiances & claim to citizenry turns out. Beyonce has already proven in the past that her talents & attributes rest in her singing & beauty rather than her high level of intelligence or firm grasp of history, so she can do whatever she wants, as can any of you who would like to have Africa as far behind you & your list of claims as possible, but know that the joke around the world will always be on you. It is a disgrace when Jennifer Lopez is claiming 100% Puerto Rican with no need to breakdown her admixtures in the same advertising campaign as Beyonce who is claiming everything under the sun, when Jennifer Lopez probably has more admixtures than Beyonce just from the known history of Puerto Ricans alone, yet she claims that pride with an understanding of who & how she represents a people who need not be confused in declaring themselves to the world because there is & has always been power in numbers. The powers that maybe when they need you for their numbers will use you & discard you as needed, much like Ethiopian Jews today who had an open door policy from Israel at one time when they needed them to build their numbers, but now that they have claimed their power in the occupation of Israel with little use for who they have & always will see as the same lesser than them Africans who they once profited off of the selling & trading of- the same way they continue to do so until today under a different name to the point where their so called fellow Jews of Ethiopia are now fighting for their freedom in Israel. Even President Obama refused to play the admixture game in clearly declaring himself as African-American on the American census without a need to check extra boxes because he knows that is how he is perceived all over the world & there’s a certain level of stock in that power of allegiance.
“He may be the world’s foremost mixed-race leader, but when it came to the official government head count, President Barack Obama gave only one answer to the question about his ethnic background: African-American. The White House confirmed on Friday that Obama did not check multiple boxes on his U.S. Census form, or choose the option that allows him to elaborate on his racial heritage. He ticked the box that says “Black, African Am., or Negro.” Read More
As Marcus Garvey a man born in Jamaica who had no doubt in his mind about claiming Africa said: “Black people will never know themselves until their Back is Against the Wall. I have no desire to take all black people back to Africa; there are blacks who are no good here and will likewise be no good there…A people without the knowledge of their past history, origin and culture is like a tree without roots.”
We need real tangible growth because everyone knows a tree without solid roots can never bare fruit! Hence the state of Black America today, where we constantly debate about the desire to somehow reclaim the use of the language of our slave masters in calling one another niggers/niggas & being all up in arms to get any White person fired for calling us out of our names, while we ourselves use the same abusive language on one another on a daily basis in our communities. We will protest & boycott to get Don Imus fired for calling young Black girls “Nappy Headed Hoes”, yet bop our heads & pump our fists in unity with Nicki Minaj doing the same thing while donning blonde hair & calling herself a Barbie. We are quick to claim someone like Jay Z as somehow being father of the year just because he wrote a rap about loving his 1st born daughter, while defending & reclaiming his right to call everyone else’s daughter a “Bitch”, yet somehow someone like Too $hort who has always claimed that his favorite word is “Bitch” somehow represents everything that is wrong with hip-hop & our society because he took the foolishness of the same misogynistic culture that is spread by far too many of our Black men of hip-hop -with many of our women cosigning- to an extent where he suggests young grade school boys molest/abuse & even rape young grade school girls unwelcomed or not -the same nonsense that they have been seeing in hip-hop videos for most of their lives with older girls being sprayed with Champagne, being man handled, being pushed into pools & sexualized at every level to let the world know that Black men of hip-hop are big pimpin‘. Needless to say Too $hort was only giving the blueprint for his up & coming brothers in hip-hop arms to know how to treat the “bitches” they all talk about. I think it is all foul & all part of the same stream of toxic waste that has been seeping into our communities & culture, which has gone unchecked or sometimes half way checked for so long that we often focus on just getting the foulest odor out instead of cleaning out the entire septic tank. . Too few Black men & so called lovers of women stand up against this toxic culture when it happens right in their presence. As Ghandi said : ” To believe in something, and not to live it, is dishonest.…” & as Martin Luther King Jr. said “In the End, we will remember not the words of our enemies, but the silence of our friends“.
“In a Daily News exclusive, Jay-Z scoffed at a recent report he wrote a poem to his newborn daughter vowing to drop the word “b—-” from his vocabulary. ”That poem and story are fake,” Jay-Z, whose real name is Shawn Carter, revealed.” Read More
“Being black is not a matter of pigmentation – being black is a reflection of a mental attitude. Black Consciousness is an attitude of the mind and a way of life, the most positive call to emanate from the black world for a long time. The most potent weapon of the oppressor is the mind of the oppressed. Black man, you are on your own…” Steve Biko
We are at a time when the world is truly global with all eyes & ears watching, listening & consuming our shared global culture in good & in bad, so there is no sacred hiding place anymore where we can claim exceptions to any rule of right & wrong. We are all complicit in the collective destruction of our culture because at every level there is confusion & constant inconsistency in the message of the change that we all so badly desire & claim to be fighting for directly in what & how we consume what we like & regurgitate what we don’t like. We all need a closer look at the man/woman in the mirror in order to ask him/her to change his/her ways because we have become so conditioned in our conditioning that more times than not we find it difficult to determine right from wrong. As a proud African-American, I have seen the destructive ways of being Black in America & as an African I am seeing this behavior seep into our culture more & more on the motherland, where at one time no matter how poor or rich nor how bad or great our circumstances were -there was always a level of respect & self determination that was upheld as an unwavering backbone of our culture -one that is quickly eroding with the over indulgence of hip-hop & western culture. Thank goodness African youth looking for western examples from abroad have a slew of great Afropolitans to set us back to right.
“Young, urban and culturally savvy, meet the Afropolitans — a new generation of Africans and people of African descent with a very global outlook. Something of a buzzword in the diaspora, the term “Afropolitan” first appeared in a 2005 magazine article by Nigerian/Ghanaian writer Taiye Selasi. Selasi wrote about multilingual Africans with different ethnic mixes living around the globe — as she put it “not citizens but Africans of the world. “An Afropolitan is someone who has roots in Africa, raised by the world, but still has an interest in the continent and is making an impact, is feeding back into the continent and trying to better it“ READ MORE
I say all this to proclaim that if you don’t want to be African or claim Africa then that’s perfectly fine with me as a proud African because I have seen what both sides have to offer in the bigger picture of life & legacy! Africa & all of us who claim her are here to loudly & proudly let it be known that we are not your “Bitch” to claim or not to claim at your leisure. #That’sAll
“And you and I have to make a start and the best place to start is right in the community where we live. So our people not only have to be reeducated to the importance of supporting black business, but the black man himself has to be made aware of the importance of going into business. And once you and I go into business, we own and operate at least the businesses in our community. What we will be doing is developing a situation wherein we will actually be able to create employment for the people in the community. And once you can create some — some employment in the community where you live it will eliminate the necessity of you and me having to act ignorantly and disgracefully, boycotting and picketing some practice some place else trying to beg him for a job. Anytime you have to rely upon your enemy for a job, you’re in bad shape. When you have — He is your enemy. Let me tell you, you wouldn’t be in this country if some enemy hadn’t kidnapped you and brought you here. On the other hand, some of you think you came here on the Mayflower. So as you can see brothers and sisters, today — this afternoon, it’s not our intention to discuss religion. We’re going to forget religion. If we bring up religion, we’ll be in an argument, and the best way to keep away from arguments and differences, as I said earlier, put your religion at home — in the closet. Keep it between you and your God. Because if it hasn’t done anything more for you than it has, you need to forget it anyway. Whether you are — Whether you are a Christian, or a Muslim, or a Nationalist, we all have the same problem. They don’t hang you because you’re a Baptist; they hang you ’cause you’re black. They don’t attack me because I’m a Muslim; they attack me ’cause I’m black. They attack all of us for the same reason; all of us catch hell from the same enemy. We’re all in the same bag, in the same boat. We suffer political oppression, economic exploitation, and social degradation — all of them from the same enemy. The government has failed us; you can’t deny that. Anytime you live in the twentieth century, 1964, and you walkin’ around here singing ‘We Shall Overcome,’ the government has failed us. This is part of what’s wrong with you — you do too much singing. Today it’s time to stop singing and start swinging. You can’t sing up on freedom, but you can swing up on some freedom. Cassius Clay can sing, but singing didn’t help him to become the heavyweight champion of the world; swinging helped him become the heavyweight champion. This government has failed us; the government itself has failed us, and the white liberals who have been posing as our friends have failed us. And once we see that all these other sources to which we’ve turned have failed, we stop turning to them and turn to ourselves. We need a self help program, a do-it — a-do-it-yourself philosophy, a do-it-right-now philosophy, a it’s-already-too-late philosophy. This is what you and I need to get with, and the only time — the only way we’re going to solve our problem is with a self-help program. Before we can get a self-help program started we have to have a self-help philosophy. Black Nationalism is a self-help philosophy. What’s so good about it? You can stay right in the church where you are and still take Black Nationalism as your philosophy. You can stay in any kind of civic organization that you belong to and still take black nationalism as your philosophy. You can be an atheist and still take black nationalism as your philosophy. This is a philosophy that eliminates the necessity for division and argument. ‘Cause if you’re black you should be thinking black, and if you are black and you not thinking black at this late date, well I’m sorry for you. Once you change your philosophy, you change your thought pattern. Once you change your thought pattern, you change your — your attitude. Once you change your attitude, it changes your behavior pattern and then you go on into some action.”
“We will never survive as a group until we get into communities & not neighborhoods…We’ve been so busy dealing with the hurt & pain & the misery & glamorizing a hand few that have made it, that we have never really looked at like the say your role model ..if u haven’t got a role model in ur house then u should fall on ur knees & pray to God because something is wrong” #ItTakesAVillage….
]]>As Bob Marley said “I don’t come to Bow, I came to Conquer “. After so many changes in direction, directors & dates in order for the Marley family to feel comfortable & proud…
]]>As Bob Marley said “I don’t come to Bow, I came to Conquer “. After so many changes in direction, directors & dates in order for the Marley family to feel comfortable & proud with a documentary worthy of the one called Marley’s conquering spirit, the much awaited & lovingly anticipated Marley documentary has finally been released for all to see, well those who received the invite to the 62nd Berlin Film Festival AKA Berlinale. The rest of us will have to wait until it hits theaters in April.
“This is my identity…My life is only important if mi can help plenty people, if me, my life is for me, my own security, then me don’t want it, my life is for people… possesion mek u rich? I don’t have that type of richness, my richness is life” Bob Marley
“BERLIN (Reuters) – Oscar-winning documentary maker Kevin Macdonald has made what critics are calling the definitive biography of reggae legend Bob Marley, aided by the singer’s family and record label who have given the project their blessing.”I just felt like there weren’t any good films about him and a lot of misinformation,” Macdonald told Reuters this week…”I wanted to make a very simple film. It’s the most conventional film I think I ever made, very straight forward, just trying to be a detective and uncover the truth about his life and the truth about his character.”…”Marley,” too long for some reviewers at 144 minutes, features interviews with Marley’s children, his wife Rita, friends and a former bandmate, as well as concert footage. And with his record label Island also on board, the soundtrack speaks for itself. The first authorized film of his life had its premiere at the Berlin film festival, and while questions about Marley remain, it goes some way to revealing the man behind the myth…” READ MORE
The most interesting things that director Kevin Macdonald found out about Bob Marley was that ”he was a vegetarian & that his father was a White man from England” -hmmm…SMH …it becomes more & more evident & crucial of the importance of us telling our own stories & how we need to be actively involved in the documentation of our history to prevent the danger of the single story.
“Emancipate yourself from mental slavery, non but ourselves can free our mind..” Bob Marley
“Magnolia Pictures has acquired U.S. rights to Marley, the first documentary about iconic musician Bob Marley made with the support of the Marley family. The film will open in theaters and on VOD and digital platforms April 20, after its world premiere at the Berlin film festival. VH1 also has partnered to license the first TV window of the film as part of its Rock Doc franchise.” READ MORE
]]>2008 was the year, the full circle year of transition played out in the fantastic realities of my life & the sports teams of the two nations of my birth & foundation. After being “off the cuffly”…
]]>2008 was the year, the full circle year of transition played out in the fantastic realities of my life & the sports teams of the two nations of my birth & foundation. After being “off the cuffly” told by one too many fashion clients that I had been working with -some for over a decade plus- that putting Black models in their advertising campaigns would somehow put them in the “Urban” AKA “Black/hip-hop fashion” category & devalue their contemporary, designer & luxury brand categories; I decided to walk away from being complicit in the devaluing of who & what I represented to the fashion industry, to the world & to those clients who came to me for my global fusion approach in building their brands because it became very clear that they saw worth in the images who looked like me only when it was attached to celebrity.
This was the period when layoffs started & global recessions started being talked about around the world. This was a time when both Ghana & the U.S.A were about to go through major political transitions. In Ghana there was the NPP & the NDC; while in America there were the Republicans & Democrats pulling all stops to victory. In both Ghana & the USA -there was no incumbent president running for re-election in either of two parties- in our so called multi-party Democratic systems. The incumbent outgoing President Kufour, who had turned the Ghanaian economy around with a focus on foreign investments in Ghana, convinced by his western education that building wealth from the top would eventually trickle down to the majority at the bottom-AKA “the embodiment of Capitalistic Democracy “, hoped to pass the torch to Nana Addo Dankwa Akufo-Addo, his former Minister of Foreign Affairs & Attorney General. Nana Akufo-Addo, who President Kufour was hoping would continue what he had started, lost the 2008 elections by a close margin because more Ghanaians than not saw him as the child of a G.W. Bush like presidential legacy- fully wrapped in elitism, a sense of entitlement & serving the needs of the rich with very little vision or concern for the poor. In America, a little known senator from Illinois named Barack Hussein Obama joined the race for the Democratic nomination to take back the White House after the test run with the people proclaimed 1st Black president made the way for the first historically proclaimed first Black President of the United States of America who fought to the end to win the costliest election America had ever seen.
“The 2008 campaign was the costliest in history, with a record-shattering $5.3 billion in spending by candidates, political parties and interest groups on the congressional and presidential races…” Read More
Football & accomplishing dreams was all I could think about as I stepped foot back on Ghanaian soil in January 2008 after close to 8 years of absence. This was just a few months before those historical elections: one that showed an African nation could put on a democratic election & hand over power with little to no blood shed in defying the stereotypes of African despots, fraudulent elections needing foreign overseers & nations constantly at the verge of civil war with every election, & another election across the Atlantic that ushered in a milestone historical moment where the world thought that America had somehow stepped into a post-racial era that had made amends with the shame & pain of the ties that bind us from the shores of Africa thru the middle passage & arrival into America, by electing Barack Hussein Obama -the seed, heir & embodiment of America’s most racially polarizing taboo -a White American woman having a child by an African man. These two elections ushered in the promise of what was to be a great year of hope, change & many more milestones to be had for many including myself in physical form & metaphorically.
I embarked on a new business venture combining my skills from America- my birth nation, & my love for Ghana- the nation that raised me & set my foundation in life. I went to document what had become of the Black Star Nation of Ghana 50 years after independence during the first Africa Cup of Nations held in Ghana after 8 years. The nation was a buzz with excitement brightly colored in red, gold & green with black stars shining. This was to be the year when Ghana would reign supreme again in taking back the Africa Cup after a stellar showing as the last Africans standing at the world cup of 2006. The Black Star team was fully loaded with heavy weight international players like captain Stephen Appiah, Michael Essien, Sulley Muntari, Laryea Kingston, Richard Kingson, John Mensah, John Pantsil, André Ayew, Asmaoh Gyan & a return of a native son Junior Agogo -who became a fan favorite with superb goals & a beautiful adonis physique to match that of the warrior kings of the Black Star Nation.
The most anticipated game of the cup came on February 3rd as forever rivals Ghana & Nigeria went into battle with Ghana coming out victorious. That same night of jubilant raucous celebration got even crazier as my New York crew & I stepped into “The Office”- now known as “Rockstone’s Office” after being bought by the grandpapa of hip-life Reggie Rockstone. In the midst of the Ghana victory celebration, we convinced them to put on the super bowl being played that same night as our New York Giants went up against forever rivals New England Patriots ringing in yet another victory for my New York Ghanaian ass to believe that this was truly going to be a year wrapped in victory for me on so many levels in everything I loved. Well those dreams began to fall apart as Ghana went on to take third place with the ultimate victory at the Africa Cup of Nations going to Egypt. I had never witnessed how powerful a football match could be to an African nation until I literally saw the raucous hustle & bustling nation of Ghana go into complete silence & darkness after the dreams of a Black Star victory on native land was shattered. Dreams of what was to come continued to fall apart after Plaxico Burress, the celebrated honrary MVP who clinched the Giants win in catching quarterback & game MVP, Payton Manning’s 13-yard touchdown pass with 35 seconds remaining became the pariah of New York & Mayor Bloomberg’s personal vendetta in his no tolerance policy for illegal guns in New York after accidently shooting himself in a night club that November which ended his career with the Giants & earned him a two year bid in jail.
Slowly but surely that year saw more highs with greater lows in victories & dreams of what could be fall apart after the much celebrated elections in Ghana & America proved to be lackluster & borderline abominable in truly moving the two nations forward in hope & change economically & progressive peaceful relations between citizens of both nations; mirroring my own shattered dreams economically & many personal relationships which slowly also fell apart when I finally began to realize that many may want to ride with you during the highs of the victory, but are quick to find their way out during the lows of things falling apart.
Well 2012 has brought a new light in the awakening of dreams & reality, along with a new spring in my step in hope & recognizing the growth & bloom of those dreams that were planted in 2008 in my personal life, a new election year with most of the same players in Ghana & the USA & of course FOOTBALL- with my Black Stars being favored to take the Africa Cup of Nations after once again making history in being the last African team standing in the 2010 World Cup along with my New York Giants who are once again in a super bowl match up with our forever rivals the New England Patriots. To say that I am nervous in my superstition from the effects & affects of the occurrences in 2008 to the present is to put it mildly, but I am surely as excited today about the possibilities of new beginnings, victories & dreams realized for myself & my two nations as I was back in 2008 when I took the ultimate leap of faith in determining my own destiny.
As the great Langston Hughes said ,” Hold fast to dreams,for if dreams die,life is a broke winged bird that cannot fly“!
February 1st will be the final group match for the Black Stars against Guinea in domination of their group play to get them closer to the ultimate victory in taking home the cup & Sunday marks Super Bowl 46 as New York, New York shows just why we are Giants & so fly that they had to name us twice! I will be in full beast mode supporting my Black Stars & Giants to victory because in someway their victories for the ultimate prize have become metaphors in mirroring the victories over my own dreams.
“There is a new buzz of life at the centre of the earth. The performance of the Black Stars in the 28th Orange African Cup of nations has given the average Ghanaian something to be proud of. On Saturday night, the referee’s final whistle, bringing the Black Stars’ match with Mali to an end in Franceville, in oil-rich Gabon, was greeted by a spontaneous bout of joy in Accra and other cities, towns, and villages in Ghana, where the colonial flag was first lowered in Black Africa in the wee hours of March 6, 1957…The Black Stars, the famed national team of Ghana, named specifically to reflect the aspirations of the black race, had accounted for the tough customers in the Eagles of Mali, in one of the most uncompromising second round matches of the on-going African Cup of Nations in Gabon and Equatorial Guinea…For Ghanaians, who have had nothing to cheer about the economy worsened by price hikes in petroleum products, the 2-0 victory recorded with two of the most clinical finishing in association football, was celebrated wildly into the night...Football, it has long been established, is the passion of the nation. The Black Stars 2-0 victory over the audacious national team of Mali was milked in a manner that suggested that the team and their handlers would attain folklore status, should they succeed in their endeavour to bring the continental trophy home to register Ghana’s fifth win in the African championship.” READ MORE
The story of being caught between two nations with the heart always moving toward the foundation is also a story that is being told not only in my life, but also in the life of New York Giant, Mathias Kiwanuka. Many may never understand the passion in a dream when the victory is not yours alone, but also for the people of two nations who have poured everything into your birth & foundation to make those dreams come to fruition. As we celebrate the first day of Black History Month, which is usually focused on African-American history, those of us like Mathias Kiwanuka & I can never forget that our Black history represents & pays homage to the ties that bind us from both sides of the Atlantic.
“Mathias Kiwanuka says he does not remember how old he was when he first found out his grandfather had been assassinated. He struggles to remember the point at which he realized the true meaning of his own last name. He is not certain when he became aware of his family’s importance in African history. But that is not important, Kiwanuka said recently, because he knows now. He read about his grandfather Benedicto Kiwanuka’s becoming the first prime minister of Uganda and heard about the plight forced upon a man trying to mold freedom out of a society stiffened by chaos. He learned about the pain and suffering Benedicto saw and felt. And so he knows, too, about Benedicto’s being killed by the despot Idi Amin, a death foretold by some, dreaded by many and seen by experts as a development that set back progress in East Africa for years. This week, as the Giants prepare to face the New England Patriots in the Super Bowl, Mathias Kiwanuka will be the subject of countless articles and interviews. The reason is obvious: This is his return home. Kiwanuka, now a linebacker for the Giants, was born in Indianapolis. He went to Cathedral High School, a little more than 10 miles from Lucas Oil Stadium, where the Super Bowl will be played Sunday. He won two state championships. Everyone will want to tell his story, whether it is about his old high school days or how he ended up at Boston College. But Kiwanuka also knows that there is something greater than a birthplace, something more meaningful than the city where a boy learns to read and write and block and tackle. Indianapolis may be his hometown, Kiwanuka said, but Uganda will always be his homeland. That is why, one day last week after Kiwanuka had answered a barrage of questions about the old days in Indianapolis, he stopped for a moment by a doorway to the Giants’ training center and considered how much being Ugandan could possibly resonate with a kid who grew up in Indiana. “How much does Uganda mean to me?” he said, his eyes wide. “It means everything.” Read More
For the remaining players of the Black Star team of 2008, this victory also means everything for their nation & their teammates who missed the chance of victory with them in 2008 & have subsequently retired from the national team voluntarily or due to injury. For many of the veteran players from the 2008 Africa Cup of Nations team, this victory may also be their last chance in realizing the dream that they promised their nation & themselves in leaving a new legacy for the future Black Stars to speak of years down the line as they speak of the greats like Tony Yeboah & Abedi Pele -whose sons continue the family legacy as rising stars in Ghana’s current Black Star team. Ghana had a brief dominance of the game in the 1960’s when in 1963 Ghana made its first appearance at the Cup along with being honored as the host nation of the cup with back to back championships.
Here’s to Willing My Giants to Repeat The Glory of 2008’s Victory!
As we prepare for the elections that will once again be a defining moment for my two nations -here’s a look at what was.
No Matter Where We Maybe In The World …Home Is Never Too Far Away
Black Star Rising from globalfusion on Vimeo.
]]>With all things Africa being the “new black” in global fashion, once again Vogue Italia’s Editor in Cheif, Franca Sozzani dared to do what her counterparts Black, White or other alike do not do. Franca Sozzani recently…
]]>With all things Africa being the “new black” in global fashion, once again Vogue Italia’s Editor in Cheif, Franca Sozzani dared to do what her counterparts Black, White or other alike do not do. Franca Sozzani recently took an explorational mentoring tour of Africa to see for herself what the buzz about the so called “New African Fashion” was all about, so she can hopefully represent it properly & in its authentic full spectrum outside of European & American embellishment & aesthetic. As much as many Black publications in America & Europe give lip service to the lack of Black inclusion in publications like Vogue, where are they in seeking out & mentoring global African design talents who would love the opportunity to learn from & be showcased in their publications just as much as Vogue. For 2012 I hope we look deeper into the goings on & dealings of our own houses & try to do better by ourselves as much as we complain about what others don’t do. Say what you will, but know when to give credit where it is due & in this case Franca Sozzani has come to resurrect an economically forward moving ideal of Pan-Africanism, where it is less about shared pigmentation & more about a shared mindset toward Africa’s global fusion. Grazie a voi vi applaudire Franca for once again doing what others only talk about!
“When Franca Sozzani, editor of Vogue Italia, visited the Huffington Post offices last month she revealed that her proudest professional moment was publishing the “Black Issue,” which helped promote diversity in the fashion industry. Well, she continued that campaign with a trip to the African country of Ghana to mentor a group of designers from the WEB-Young Designers Hub. “You have lots of potential in this country. During my stay in Africa, I visited Togo and Nigeria but it was only here in Ghana I noted an authentic sense of fashion. In designing your creations, make sure that they feature not only references to Ghanaian culture but also have an international appeal so that your garments can also be successful also abroad.” READ MORE
“In Accra Franca Sozzani met both with Kofi Ansah, a young designer from Ghana and the young talents of The WEB-Young Designers Hub, an association of local young fashion designers who hosted a runway show of their collections in her honour…” READ MORE
For many fashionistas the name Kofi Ansah maybe unfamiliar, but for those of us who are true connoisseurs of progressive avant-garde haute couture style African fashion, Kofi Ansah represents the creme de la creme of modern day icons in traditionally inspired global fashion. His global resume is long- from working with Guy Laroche in Paris & Cecil Gee in London, he has had well over 20 years building his signature aesthetic in Europe before returning to Ghana to rejuvenate & rebuild its fashion industry to become a global contender.
Kofi Ansah is by far the go to designer in Ghana who has been lauded with accolades of honor to represent the fashion of Ghana at major national celebrations. He was the winner of the prestigious Millennium 2000 African Fashion Awards along with being the chosen designer to design the highly coveted Ghana at 50 anniversary cloth fabric for the Ghana at 50 Golden Jubilee Celebration. Kofi Ansah also designed the costumes for the opening & closing ceremony of the CAN 2008 African Cup of Nations that was staged in Ghana to international acclaim. I am sure it was a great learning & giving experience for both the Vogue Italia team & Kofi Ansah along with the members of WEB because fashion is so cyclical & global that we all have something to bring to the table to share & learn. Ghana is coming into its own in creative vibrancy in celebrating past greats such as iconic fashion Photographer James Barnor & building a future for its creatives with a strong foundation that is becoming more & more undeniable by the world. The Black Star Nation is truly shining & the world just can’t seem to get enough. As we like to say Akwaaba- Welcome to Our World!
From the Motherland to the world -WE ARE AFRICAN & WE REPRESENT: Ghana @50 Fabric By Kofi Ansah, Dress design by Onyx Noize for PGF (Product of Global Fusion)
By now most know that Samia Nkrumah has become one of Africa’s new darlings for the future of women in politics. With the polarizing Nana Konadu Agyeman Rawlings, the former first lady & founder of…
]]>By now most know that Samia Nkrumah has become one of Africa’s new darlings for the future of women in politics. With the polarizing Nana Konadu Agyeman Rawlings, the former first lady & founder of the 31st December Women’s Movement out of the running for the 2012 Ghana elections, many have their eyes on Samia Nkrumah to possibly be the first woman elected to Ghana’s presidency, following in the footsteps of her father & Liberian President Ellen Johnson Sirleaf & other women presidents around the world in also solidifying her place in the world record books as 1st. With the rise of Samia Nkrumah being elected as MP (member of parliament ) in her father’s hometown & then being named the chairperson for the CPP ( her father’s party ) along with the subsequent departure of Dr. Papa Kwesi Nduom, who was the CPP’s 2008 presidential candidate as well as the foreseen flag-bearer for 2012, there is now an opening for Samia Nkrumah to surge forward toward her presidential dreams & to follow in her father’s footsteps.
“A leading member of the New Patriotic Party, (NPP) John Ndebugre has stated that the Convention People’s Party (CPP) will be destroyed if it goes ahead with plans to expel 2008 flag bearer Dr. Paa Kwesi Nduom. According to him, the party will poll less than 1 per cent if recent happenings between Dr. Nduom and some executives of the party are not resolved. The Chairperson of the CPP, Samia Nkrumah on Monday fired salvos at Dr. Paa Kwesi Nduom, for allegedly orchestrating activities to disintegrate the party. Samia stated that Dr Nduom is behind “all negative happenings” taking place in the party. “We’ll not tolerate this nonsense, enough is enough, we are fed up with this nonsense” Samia said. Samia also threatened that Dr. Nduom could face expulsion from the CPP if he is found guilty of all the accusations leveled against him. Dr. Paa Kwesi Nduom has been accused by party officials including General Secretary Ivor Greenstreet of being behind calls for an early congress….” READ MORE
Dr. Nduom has put in the hard work to bring visibility & viability back to the fledgling party of Ghana’s first president, but with public infighting & outbursts from Samia Nkrumah threatening to dismiss Dr. Nduom from the party if he does not fall in line to the mandates of the party with her as the chairperson determining the movements of the party, it was inevitable that in a nation that holds respect for our elders at the top of all things in our culture, that Dr. Nduom would not take kindly to public disrespect by a young female novice to the political arena in a resurrected CPP, which he was a catalyst in returning as a player in what has become a two party system in Ghana, rendering all other parties irrelevant.
“The Chairperson of the Convention People’s Party (CPP), Samia Yaba Nkrumah, has told Citi News that the party has no intentions of bringing Dr Paa Kwesi Nduom back into its fold. The Member of Parliament for Jomoro said the party wishes Dr Nduom well, adding that his resignation presents the CPP with a “golden opportunity” to surge forward in unity without “ambiguity” and hurdles. ‘We wish Dr. Nduom well but we knew that it was a possibility he would leave the party. It does not affect us in anyway. It rather presents us with a great opportunity to do away with the ambiguity that had been attached to this party for some time now. There is no disunity within the party,” she stated. However, Samia, daughter of Ghana’s first President, Dr. Kwame Nkrumah, denied allegations that she is the main reason for Dr. Nduom’s decision to quit the party after her public outburst and threat to expel the party’s 2008 flag-bearer.…” READ MORE
On December 28th, Dr. Nduom held a press conference to officially announce his resignation from the CPP, electing to start his own independent party that will carry through on the vision he had set forth as the presidential candidate for the CPP.
“The decision by Dr. Paa Kwesi Nduom to abandon the CPP ship to form his own party could at best be described as the most risky political gamble of the century. The move does not come as a surprise to most political watchers because it had been on the radar for quite sometime now. Nobody begrudges Dr. Nduom for the decision, coming at a time when the entire CPP leadership were turned on him. Over the past years, Dr. Nduom had had some brushes with the leadership of the CPP and in one of such instances under the Professor Edmund Delle administration, Dr. Nduom together with Freddie Blay and Kojo Armah, then Members of Parliament for the CPP were suspended from the party following some disagreements. The current executives find Dr. Nduom a tough nut to crack. He disagrees with them on policy direction, whilst the current executive thinks the party should hasten slowly by building its structures first, Dr. Nduom sees it differently. History our elders say, keeps repeating itself. The CPP was born in 1947 when its founder, Dr. Kwame Nkrumah, then General Secretary broke away from his colleagues in the UGCC over whether to accelerate agitations for self government or go it slow. It is unimaginable how Dr. Nduom thinks he can win the Presidential election with an entirely new party when he had performed abysmally in 2008, garnering one-point-three percent of total votes cast….”READ MORE
2012 seems to be building up to be a very exciting & unpredictable election year for Ghana with many more surprises in store. There is no secret being made about the disunity between the current NDC administration & former President Rawlings & his controversial first lady, who have made it their job to cause all sorts of havoc, strife & drama in the life of current President Mills & his administration, with accusations of bad leadership, corruption & just an all around lack of confidence in what they see as his weak ineffective term as president after he had been under the tuteledge of former president J.J. Rawlings as his vice president. It seems there is no loyalty, love & frienship left amongst many of the leading parties in Ghana -which will inevitably lead the way for the NPP & Nana Akufo- Addo to easily sweep in over the dark cloud of disunity, choas & confusion of the challenging parties to win the 2012 election, if the NPP can avoid these types of public battles in showcasing any disunity that may or may not arise in their own party. It seems with speculators speaking of what led to the defeat of Nana Akufo-Addo in 2008, the once inappropriately boastful flag-bearer of the NPP who spoke of his sure fire victory, his almost entitled presidential legacy & his un-presidential verbiage on his bedroom/sexual capabilities employing a political agitator to go ask his wife about how he is in bed -has been silently watching his competitors implode on themselves, much like the Democrats in the United States are watching the Republicans do the same in America.
Anyone in politics knows that any party that is not unified ends up splitting the vote in favor of electing its opposition. This public strife and disunity amongst the NDC & CPP alike maybe the best Christmas present the NPP and Nana Akufo-Addo got this year in looking forward to a guaranteed victory in 2012, unless his message somehow completely does not resonate with the majority of Ghanaians, his party falls into the same chaos or some other unforeseen surprises come up to tilt the scale away from an NPP victory.
Ghana in 2011 has been filled with political surprises in a never ending topsy turvy cycle of turncoats , judases & plain old disgruntle party members who have taken the position of my way or no way toward their own parties. First Lady Nana Kondau’s unprecedented battle to unseat a sitting president of her own party by contesting his seat for his second term along with her constant barrage of insults & challenges against President Mills, juxtaposed with her husband’s cosigns with his own barrage of no confidence rhetoric against his former VP has all but put the nail in the coffin of a guaranteed unified NDC voting pool for 2012.
“Former President Jerry John Rawlings and founder of the ruling National Democratic Congress (NDC) yesterday invoked the spirit of the infamous 31st December 1981 Revolution when he stressed the urgent need for what he called a ‘house cleaning exercise’ to rid the party of corrupt officials. He said it was not too late for leadership of the party to go back to the grassroots- to the foot soldiers- and listen to them because ‘the level of despondency amongst our support base is largely due to the detachment of our leadership from the people.’ Addressing a large crowd of mainly NDC foot-soldiers at the National Theatre in Accra yesterday as part of the events to mark the 30th anniversary of the 31st December Revolution, the NDC founder decried the manner in which President Mills and members of his administration were running the country with corruption at its highest peak.’Many in the NDC leadership now believe they do not owe any explanation to the populace,’ he said. On allegations of abuse of office, corruption, malfeasance, incompetence and a host of other vices characterising the current administration, Mr Rawlings said, ‘they respond in good measure by accusing the opposition of having done worse things……’ Read More
These days it seems like Former President J.J. Rawlings & his first lady have all but signed the papers as supporters of the NPP to win the presidency in 2012. They seem to be playing a school yard game of the flamboyant popular kids bullying the nerdy sickly weak kid that once followed their every wish & command, who is now met with constant insults & public taunts because that sickly weak kid all of a sudden grew up & found strength in his own voice & became his own man & leader, much to the chagrin & angst of those who once led him. Will President Mills be able to pull his own “revenge of the nerds” style victory by silencing the raucous banter of the Rawlings family & their supporters against him? This is the question that many of President Mills‘ supporters are eagerly looking forward to be answered as the 2012 election approaches.
Will Samia Nkrumah be the Barack Obama of Ghana- a one term MP of mixed heritage, who finds herself at the right place at the right time in a fledgling party who needs the hope & change that she represents in a beautifully well cultivated package that will be pleasing to the eyes, ears & tastes of Ghanaians begging for change & newly found freedom in hope, much like her father represented as he stepped out of the shadows of the big six & became the superstar who led Ghana to victorious independence from colonial rule & gave the Convention People’s Party (CPP) global recognition? The rift in the CPP that forced Dr. Nduom’s resignation has clearly made many wonder if either Dr. Nduom or Samia’s political ambitions have not superseded the needs of Nkrumahist loyalists. It has even gone as far as causing not only a divide in the CPP, but also in Samia’s immediate family with her younger brother Sekou. Samia’s immediate family is coming more & more into question as she becomes more of a public figure in Ghana. With Ghana’s growing population of Italians & general globalization, are Ghanaians ready for the first man of their first female president to be Italian? You rarely hear about or see Samia’s Italian/Danish husband Michele Melega & son Kwame. I have scoured the internet looking for photos of them together & I can’t seem to find any, which makes we wonder would the visual be too much for some Ghanaians to digest & stand behind when many of them can’t even see themselves voting for their fellow full blown Ghanaians just because they are from another tribe or from the North?
Perhaps the new generation of Ghanaians who have been making noise to be rid of the old brigade in order to build their future are looking for the second coming of Dr. Nkrumah , so they could write the wrongs of their fathers & mothers who many of the younger generation believe were complicit in bringing the coup against him that eventually stifled the future of not only Ghana, but of Africa as a whole to a dream deferred instead of a dream realized. Many first & second generation American & European born children of Ghanaians along with the new expats who are flooding into Ghana seeking their African dream, maybe the voting block & constituency that may change the game toward one candidate or another in the upcoming 2012 elections. There is a rapidly growing number of dual citizenship card carrying Ghanaians & their children who are becoming more & more politically involved, have learned the power of their vote from abroad & are ready to utilize that power in 2012 in Ghana. Samia Nkrumah on the surface is the face of this constituency in Ghana & abroad, but does she have the platform, know how & fire to cause a political explosion in new beginnings for Ghana like her father did?
In historical reality, Dr. Nduom’s departure from the CPP in dissatisfaction with their efforts to rebuild the party gradually instead of surging forward in full force as a true contender to take Ghana’s presidency in 2012 is more reminiscent of Dr. Nkrumah’s unflappable fortitude in breaking from the reigns of Ghana’s Big Six to surge forward in his own path to declare “forward then to Independence Now“! Dr. Nduom can easily go back to his former NPP party & bring his supporters to guarantee the type of split allegiances that will benefit a NPP victory, but he has chosen to go on his own, declare an independent new party in Ghana where he is founder & leader, much like Dr. Nkrumah did with the CPP. Dr. Nduom’s presidential packaging is also as appealing to the people of Ghana who are looking for their own Ghanaian version of President Obama & First Lady Michelle Obama. Dr. Nduom is a social media savvy, intelligent, highly educated, well spoken statesmen with an equally intelligent, highly educated, well spoken & elegant would be first lady by his side, whose platform much like Michelle Obama is also to inform & educate Ghanaian people about healthy living, healthy eating & growing your own food. While in the vision of Dr. Nkrumah, Dr. Nduom has declared a New Independence Movement in Ghana with young men & women at the forefront, many pundits have already declared Dr. Nduom’s decision to surge forward independently as a big mistake in a decision that is said to be self serving, much like they said about Dr. Nkrumah’s decision to do the same.
Ghana’s politicos do not belive Dr. Nduom can possibly pull in more than even a meager 1% of votes, let alone pull an upset. As Ghanaians young & old become more & more frustrated with what seems to be a two party system that just continues to give more of the same year after year without any major big leaps in progress economically or otherwise to show for it, Dr. Nduom may just be able to build an audience amongst those who want a completely diffrent alternative than the two parties of the NPP & the NDC can offer them. Dr. Nduom much like then senator Barack Obama has been building his constiuency amongst the youth who want to play more of an active role in politics in order to have a say in determining their future. If Dr. Nduom along with his wife continue to be the source of inspiration for the dreams & hopes of the youth for a better Ghana, then just like then Senator Barack Obama & then independent founding father of the CPP, Dr. Kwame Nkrumah- the new wind of change will be in the air with a new unprecedented precedented presidential upset!
I look forward to following & covering the 2012 Ghana elections much more than I look forward to the 2012 American elections. Where America has become a nation filled with political tomfoolery with the majority of the nation rapidly losing hope in politics/politicians, which may end up in the reverse effect of 2008 where a record number of enthusiastic Americans, particularly youth voters came out to vote, turning into a record number of dissasitied & disaffected Americans not turning out to vote in 2012; Ghanaian youth are bursting with enthusiasm of what can be & must be for the future with more & more formidable choices to choose from.
Mark my words, any presidential candidate in Ghana who goes after & attains the youth vote will more than likely win because there is a new surge of politically in the know & involved younger generation of Ghanaians from Africa to her Diaspora that are ready, willing & able to make their voices heard & their votes count by any means necessary in creating a new Ghana wrapped in the cloth of the Forward Ever , Backward Never dreams of Nkrumah that has been a dream deferred for much too long for far too many generations of Ghanaians. Future Africa & particularly Future Ghana is ready for its Close Up & Take Over, so may the best candidate who speaks to & represents Ghana’s future be the victor! As the saying goes Many Are Called but Few are Chosen!
Photo Credit: Peter Dicampo Photography (Samia & Crowd)
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